Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

It's 1975, and Martin is a teenager looking to break out of a stifling home environment ruled by his alcoholic father and long-suffering mother. When Martin's pal Micke suggests they get jobs together as waiters at a resort off the Swedish coast, Martin is all for it, but before long Micke finds better things to do and Martin is left on his own. The presence of pretty fellow server Jenny is a major consolation, but to his surprise, guileless Martin is soon chosen as the protégé of Gösta, the resort's short-tempered manager. Gösta clearly likes Martin and makes him his right hand man, which gives Martin a crash course in the seedy side of life when he discovers Gösta has a number of other business interests, not all of which are legal or ethical.