Yoshinaga, a doctor of psychology, is immersed in writing a book, and as he conducts research using his wife, Emiko, as a test subject, he discovers that Emiko has the potential to be a sadist. the next day. After reporting last night's induced pleasure act to Yoshinaga's good partner, associate professor Muraki, he later assigned Muraki's ex-girlfriend, Hitomi, as Yoshinaga's full-time secretary in order to repair their marital relationship. Meanwhile, Shoko, a fourth-year university student, comes to visit Yoshinaga to ask him to do something about her not being able to meet the deadline for her report...
Kaito is a university student who moved to the city because of its cheap rent. While killing time at home, a beautiful woman suddenly appears in front of him. Kaito and the woman continue to have sex, but Kaito senses something is wrong.
36-year-old Shoko Morimura (Aika Yukihira) is raising her daughter on her own while working as a temporary worker. At a high school reunion, she reunites with her first love, obstetrician-gynaecologist Kitada Kazuki (Sho Aoyagi), and has a one-night stand with him. Shoko is once again excited, but becomes upset when Kazuki proposes that she become his "sex friend." Part one of a two-part film adaptation of the popular manga by Yoriko Minato. Directed by Hideo Jojo On the Edge of Their Seats, the film depicts the emotions of a man and woman who spend the night together at a class reunion.
Erotic drama full of pachinko trivia.
Kazumi has a cram school that is in financial difficulties, and she sneaks into a franchise contract company as a thief.
A couple of men and women who look happy. However, each of them was living another life that the other did not know. Their words, which at times seem to betray their own feelings, crystallize into a dry ending.
The sequel depicts Yuki's love affair with a young brothel owner who was once a Noh singer, and his complicated relationship with a woman who follows him around. Their love triangle nearly dissolves in Yuki's favour, but takes a sudden turn after an intervention of a perverted painter who believes in fatalism.
A sensual drama that carefully depicts the conflicts of a hotel lady, set in an office whose names are all fruits. Hitomi Kurosawa, who is known for her voluptuous proportions, delicately portrays the complex feelings of a prostitute who has no illusions about her love life. Melon (Hitomi Kurosawa), who lies to her hometown girlfriend's parents that she works as an office lady and works as a hotel lady in Tokyo, is proposed to by her regular customer Kageda (Yutaka Ikejima). Melon has arranged a date with Kageda on Christmas, which is also her birthday, and asks her to give him sunflowers, which are out of season.
A sad love story with a hint of saspense about a master detective who seduces women with sophisticated technology, his target, a beautiful model, and the madness of the stalker who hunts her down.