Two long-time internet friends - Ted, the hometown artist, and Liz, a globe-hopping humanitarian. On the night of his gallery opening, on a river that goes nowhere, they meet for the first time. Neither one knows that the other loves them.
Mathew Devassy, a retired bank manager decides to enter local panchayat elections. Unexpectedly, his wife Omana, shocks everyone by filing for divorce, claiming that Mathew is a homosexual.
After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?
Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.
A diminishing water supply is driving people from their land in a remote region of Nepal. The younger generation of the Gurung family adapts by commuting from their ancestral home, where subsistence depends on grazing goats and cows, to a village that has a commercial apple orchard, fed by irrigation. “We cannot give up cultivating our fields,” a elderly man explains. “The apple farm is not going to be able to feed us easily.” The older generation believes that water shortages stem from road building and bulldozing, upsetting the natural order, a young man explains. Both generations fly prayer flags, beseeching water.
The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.
Our place is on fire and we are on fire with it. If that, what we are, is not any longer and an eternal search begins - for who we are, where we stand and where we should go.
A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.
Tashi is a lonely single man living on the edge of a small town in Arunachal Pradesh. The town is slowly being inundated by water from a nearby dam reservoir. One day he meets Eshna, who has come to town with her husband who is overseeing the dam's construction.
Cristi has just moved to an unknown country, far away from family and friends. At first, she is happy for the challenge. But soon she begins to question her place in this new world that seems to be a lost town, made of absences, distances, silence and indifference. '4242' is the story of a young female immigrant, a story of a teenager's anguish who is trying to redefine her identity after being forced to leave home.
A documentary film crew follows a young Iranian girl, Roya, after her request for asylum was denied and is forced to enter an illegal life on streets of Amsterdam. The film crew follows her from a distance trying not to intervene, no matter what occurs to her.
The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.
Four independent stories set in modern China about random acts of violence.
Moving to Mars charts the epic journey made by two Burmese families from a vast refugee camp on the Thai/Burma border to their new homes in the UK. At times hilarious, at times emotional, their travels provide a fascinating and unique insight not only into the effects of migration, but also into one of the most important current political crises - Burma.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
After World War II, 4,000 Polish families came to Australia. They were Jews, Fascists, anti-Communists, and others dispossessed. In a large hostel, where even married men and women were housed in separate barracks, the adults lived for two years while they worked off the government's payment of their passage. Even though he is married to Anna and has a son, Julian falls in love with Nina and she with him. As they and others face the new situations and prejudices that await immigrants and as they take on aspects of Australian culture, old-country values reassert themselves. Julian decides what to do about love and family, and Nina must find a way to move on.
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.