The story of two most uncommon people, Sam a good old southern Jewish “boy” and Rabbi Stan, a misplaced mohel. Brought together by a chance encounter at a bus stop, the two develop an incongruous friendship.
In 2004 Sheldon Oberman, a Jewish storyteller from Winnipeg, passed away. At his funeral the presiding Rabbi said that Sheldon’s spirit was with the congregants in the sanctuary. For filmmaker Saul Henteleff this was a revelation that began a personal and spiritual journey into the meaning of Jewish death. My Jewish Death is the result of this journey.
Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.
William Wolff is nearly 90 and perhaps the most unconventional rabbi in the world. As the State Rabbi of North-East Germany, he looks after the Jewish Communities in Schwerin and Rostock, but still lives in a bungalow near Henley-on-Thames. Midweek he usually flies from Heathrow to Germany. After the services on Saturdays, he either makes his way home or on a leisure city trip. His annual highlight is betting at the Horse Race of Royal Ascot and joining a fasting-retreat in Bad Pyrmont. Willy Wolff leads a Jet-Set-Life, which he actually cannot afford, but dealing with money isn't one of his strengths. Naturally, that occasionally leads to quite temporal conflicts. Rabbi Wolff is the portrait of a fascinating character, a deeply religious man who, blessed with a tremendous joie de vivre, defies all conventions. More than that, it gives insight into the world of Judaism and introduces us to a uniquely German biography.
A winemaker overcomes the ignorance and illiteracy of his era to become a Torah commentator who defends the right to spiritual choice and freedom in the 11th century.
The early 1960s: In preparation for his Bar Mitzvah, a Jewish boy, Max Glick (Noam Zylberman) from a small Manitoba community with an overbearing family tries to navigate his coming-of-age with his family's condescension and bigotry using his sarcastic, Jewish humour. The town's rabbi dies, and a sub-plot develops in which Max's father (Aaron Schwartz) and grandfather (Jan Rubes)-both synagogue leaders-are saddled with a traditional Hassidic rabbi who sticks out like a sore thumb among the otherwise assimilated Jewish community. To make matters more difficult, Max likes a Catholic girl (14 year old Fairuza Baulk in just her third film), whom he later competes with in a piano competition. The quirky, fun-loving rabbi tries to help him with his problems, yet harbours a secret ambition of his own.
Filmed in Winnipeg and rural Beausejour, Manitoba, Canada.
Picking up where Erecting A Monster left off, Victor must battle his incubus possessed penis. Together with his friend, Johnny, they must find a way to destroy the demonic phallus before it kills anyone else.
Lea Lyon, the daughter of a rabbi, lives happily with her father in their Gulicinu village, but there are rumblings of war. Soon, the village is overrun with the Imperial troops of the Russian Czar, with Constantine in Imperial command. He is attracted by the beauty of Lea and commands her to come to his quarters. She refuses and he is outraged. He orders the townspeople barred behind their doors and the village burned. Though she loves her honor above everything else, she can not bear to see the villagers suffer, and makes the lonely walk through the village to the Inn.
In 1263, King James I of Aragon organizes a debate between representatives of Judaism and Christianity regarding whether or not Jesus was the Messiah.
Rambam was born in Cordova, Spain in the 12th century. Known as the "Nesher Gadol" the "Great Eagle" - Rambam had the unique ability to see and perceive, with insight and clarity, the "big picture" - and man's relationship to the Divine. He was the first philosopher to unify - and reconcile the rational - with the reality of God. The legacy he left behind is astounding.
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port
At the start of WWII the British Government decided to arrest all Germans in the UK no matter how long they had been there. Among those arrested were many Jewish refugees and many who were fully assimilated. This film records the story of a group who were sent to a POW camp in Australia aboard the Dunera.
When a Catholic and a Jew wed they find themselves disowned by both of their families.
The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.
The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.
In the Warsau ghetto of 1943, one man's struggle to keep his family together leads him to the ultimate crisis of faith and one final chance at redemption.
After a warehouse fire, museum director Grove and assistant Pimm find everything destroyed, only one statue withstood the fire mysteriously undamaged. Suddenly Grove is lying dead on the ground, killed by the statue? Pimm finds out that the cursed statue has been created by Rabbi Loew in 16th century and will withstand every human attempt to destroy it. Pimm decides to use it to his own advantage.
An urban couple Ranjan Mathew and Priya have just moved to Kochi when powers of the supernatural start to take over their lives. How they tide over the forces forms the story.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.