In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.
Trapped in their frames and monitored by a menacing curator, two paintings long to escape from the art gallery's white walls. As the paintings lock eyes across the room, an unspoken connection between them sets the stage for revolution. With a distinctive blend of live-action and animation, this short film by Evan Bode employs surreal metaphor to explore ideas about power, resistance, queer identity, visibility, and liberation from constructed borders.
Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity.
A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.
Widely considered an important milestone in Indian Architectural history, the Kanade brothers are a testimony of how life and work can coexist with honesty as the fundamental driving factor. The film ‘Kanade’ gives an insight into the journey and experiences of Shankar & Navnath Kanade as architects and teachers.
A twisted tale of crime, trust and desire, Framed! shows three perspectives of an unconventional robbery: The Curator’s, The Ambassador’s and The Professional Thief. However, there is more to this peculiar crime than it seems...
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.
When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.
In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.