A documentary exploring sexism and patriarchy in Kosova.
Following the death of her estranged grandmother, a young girl witnesses the long-repressed hatred and pain within her family. Once they all gather for the funeral, emotionally triggered by the recent loss, she decides to take matters into her own hands.
On the day before a big audition, young actrice Danaé is trying to learn her lines. Everyone else in the city seems to have better plans during the raging heatwave, like house parties or watching the national football team. While Danaé struggles and the audition draws near, the city seems keeps intruding further in her personal space.
Centered on the testimonies of students who were victims of harassment or sexist and sexual violence. The objective is to make people aware of the reality and mechanisms of this violence, as well as their seriousness, so that the university community as a whole is mobilizing against harassment and gender-based and sexual violence.
When a state phantomizes a population, another reality. When history distorts the truth. When my (her)story meets another (her)story. When women disappear without a trace. When, white and privileged, I attend a rehearsal of stories. When violence done to women’s bodies equals the violence done by words. The bodies of those we don’t want to see or hear. From my studio window, I look out and my life intersects with theirs. In Winnipeg there are those who Win, generally the whites. There are the nips, the name given to Asian immigrants (the Latinos included in the insult) And everyone walks on EGG shells.
Confronting deeply rooted sexism in the rodeo and its imminent economic decline, two rodeo queen sisters fight to change the future of their community’s most cherished tradition.
Laura will make her boxing debut in Las Vegas, but she doesn't know what kind of opponent she will have to fight against.
Frida and Emiliano are having an affair. After spending an evening together he asks for more than she is willing to give.
Through a training trip, in which the filmmakers also participate, the contrasts that exist between the conservatism of machismo and the new masculinity are evident; testimonies, discoveries and liberation in a circle of men.
Darren vies for a promotion while facing sexism from his co-workers in a gender-swapped world.
You Have Struck A Rock! commemorates the special contribution of South African women to the success of the anti-apartheid struggle. It recovers the remarkable "women's campaigns" of the 1950s against the hated pass system. This massive, non-violent civil disobedience movement was only finally crushed by the 1960 Sharpeville Massacre and the banning of anti-apartheid organizations. Lilian Ngoyi, Helen Joseph, Dora Tamana and other leaders recall this struggle and their imprisonment and banning. Yet they remain undaunted, demonstrating the South African proverb: "When you have touched a woman, you have struck a rock."
On April 25, 1953, James Watson and Francis Crick published their groundbreaking discovery of the double helix structure of DNA. But their crucial breakthrough depended on the pioneering work of another biologist, Rosalind Franklin. 50 years later, NOVA investigates the shocking truth behind one of the greatest scientific discoveries and presents a moving portrait of a brilliant woman in an era of male-dominated science.
Julie is convened in the office of the Headmaster because her daughter hit a classmate. An unacceptable behaviour! But Julie does not see it that way and will put words on the unacceptable.
Liu Bo-Jiun is the first female international baseball umpire. “First” seems to be an honor, but in a male-surrounded baseball field, the first female must experience an unprecedented review. As she fixes her eyes on every pitch coming forward, people fix their eyes on every judgment she made. If judgments on pitches were personal out of technical aspects, how about those judgments on people? The game begins at three balls, two strikes and two outs. What about her?
Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
Complications ensue when an overworked couple decides to hire a "wife" — someone who can run the household for them with complete autonomy — but she's a little too attractive for comfort.