Discusses the situation of the Palestinians in East Jerusalem whose homes have been destroyed by the 1967 war and Israeli urban renewal and demolition policies.
Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.
A few hours before Hadar leaves to study in another country, her best friend Yotam takes her for a last hangout through the places they like the most. Suddenly, before it all ends, these intimate moments make them see each other in a new light.
Rivka tries to have a calm Friday dinner Kiddush with her daughter, Miri, who is slowly moving away from the family’s religious traditions. All goes well until Rivka snaps and has to understand how to keep Miri close to her.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Spotlighting 30 years of the Israeli metal band's career, A Heaven You May Create explores not only their immense discography but also the impact they left on the music industry.
A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?
This movie is a short documentary about both the narrator's, and the youth's, experience as Christian tourists in Israel.
In a closed apartment, sealed to the outside world, an aging polar bear tries unsuccessfully to communicate with his daughter.
Rachel is experiencing a cruel adolescence, both at home and outside of it; her unemployed father unloading his frustration and rage upon his wife and daughter. Rachel attempts to handle her violent father and protect her mother. Defenceless and exhausted, she and her mother try to comfort one another while awaiting some compassion.
After failing to make it into a major soccer tournament for 50 years, the Israeli National team finally gets into the Euro 2020 Qualifying Tournament. For the first time ever, nearly half the players, including the captain, are Muslim. This documentary explores the challenges that the Muslim players face from media critics and fans as well as how the team perseveres because of their passion for the game. Israeli director Shuki Guzik notes, “If an Arab child sees a Muslim score a goal for the Israeli team made of Arab and Israeli players, I see only good can come out of this.”
A documentary focusing on the stories of three Israeli women seeking a divorce through religious courts.
As retirement crept up on Assaf’s mother, she developed a mysterious illness. Now the entire family life is turned upside-down in turmoil…
A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
After Noisey Atlanta, Noisey Jamaica and Noisey Chiraq, comes a documentary hosted and co-directed by Mike Skinner (The Streets) that takes the temperature of the rap scene in Israel and Palestine. During Noisey Israel Palestine we meet Tamer Nafar, also known as the godfather of Palestinian hip hop who founded the group DAM, Ohad Cohen who after being a regular in the Tel Aviv rap scene as a teenager then moved towards ultra orthodox Judaism, but still has ambitions to be a famous rapper, and Ben Blackwell, who is part of the fascinating Hebrew Israelite community of the desert town of Dimona. Plus many other MCs from all different backgrounds including Subliminal, Saz and Rebel Sun.
There are children, too, among the Palestinian insurgents. For some time now, the Israeli side has observed minors who take an active part in an Intifada, especially with knives. They are harshly dealt with: prison, hardly any judiciary support. Ada Ushpiz, filmmaker and journalist, comes surprisingly close to some of the Palestinian families concerned. She has accompanied the dubious insurgents over several years and witnessed terrible pressure.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.
Tomer and Shmulik are a couple. One evening, during a causal supper, one of them announces he wants to break up. Pain takes over their intimacy and the night takes an unexpected turn.
Streets of Jerusalem, shot over a period of five years, centers around the lives of ten Jerusalem residents.