Copa90's Eli Mengem meets some of his biggest heroes in this look at the moment Australia truly embraced the beautiful game, featuring interviews with Fox Sports' Adam Peacock and penalty taking legend John Aloisi amongst other amazing Socceroos.
The Australians call the endless deserts in the interior of the continent the "dead heart". Here lies the town of Birdsville, 23 houses and a bar with a liquor license. The long-awaited telephone connection arrived in 1979, 90 years after it had been applied for. For one weekend, this place at the end of the world turns into a cauldron when 5,000 Australians, tired of civilization, invade for the annual horse race, the "Birdsville Cup". They come in buses, off-road vehicles, motorcycles and sports planes and have become a veritable plague. Because here, everyone can do what they've always wanted to do: for example, get drunk until they drop and never get up again. The collective mass drinking reaches its peak on Saturday night. By Monday morning, the fun is over. What remains is a village with 23 houses, a bar and a street littered with 80,000 empty beer cans.
This film examines how, since white settlement, Australians have structured, and restructured, their time. Despite some basic inequalities, Australia was a new nation trying to throw off the conditions of the Old World. Even two world wars and severe economic depression could not deter Australians from pursuit of “the fair go”. By the 1950s most middle class Australians lived in an ordered, protected, prosperous world of school, employment, Saturday afternoon sport and the Sunday roast. Yet today Australia is following the global trend towards a population divided between the overworked and the underemployed. The old 9 to 5 certainties are no longer in place. People work from home via computer; shop in non-stop trading supermarkets seven days a week; and online 24 hours a day. Overtime has increased and penalty rates are disappearing.
LIVE AT THE NMI was filmed at the Newham Mechanics Institute, Victoria, Australia.
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
Val Plumwood, environmental philosopher returns to Kakadu, where she was the victim of a crocodile attack. Against the backdrop of the steamy, intensely beautiful Kakadu National Park, she shares her thoughts on wilderness and wildlife.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the New South Wales regional town of Wagga Wagga in the mid 1960s.
Western Australia's iconic black cockatoos are in crisis. Their numbers have fallen dramatically over the past few decades and all three species in the south west of WA could become extinct in just 20 years unless something is done to protect their habitats. With the loss of the banksia woodlands on the Swan Coastal Plain to housing, Carnaby's Black Cockatoos have come to depend on the once vast exotic pine plantations on Perth's northern fringe.
"Cheers for checking this out. Gutless Wonder is my debut comedy special. I toured this show around Australia in 2022, which included this night at the Newham Mechanics Institute."
Lindani, a neurotic young trans man, struggles to tell his partner Tam he loves them after a random encounter with a stranger shakes his self-confidence. But as he finds himself pushed and pulled in all directions by the perceptions of others, can Lindani reconnect with himself enough to figure out how he really feels?
No Mercy, No Remorse takes viewers back to the winter of 1993, with a journey into the deeply disturbing world of Paul Charles Denyer, the then 21-year old who is currently serving three life sentences for the Frankston murders.
Vowing vengeance on Edward Marriott, whom he believes to have dishonored his mother, The Shadow is a highwayman who robs only Marriott. The Shadow attracts the interest of Dorothy Harden, Marriott's fiancee, and finally he captures her. The action includes the kidnapping, by The Shadow's rival, Ben, of Dorothy; The Shadow's capture and escape; and his rescue of Dorothy. All is happily resolved when Dorothy declares her love for The Shadow and Marriott proves to be innocent of injuring The Shadow's mother.
As an escaped convict, Captain Midnight is welcomed into the Hellville band of bushrangers.
With an impending eviction hanging over their heads, freshly unemployed Maggie, gig-economy worker Will, and feuding couple Isabelle and May embark on a seemingly futile hunt for an affordable share house. Along the way they encounter unsanitary toilets, attic kitchens, and an alleged haunting. As Will forms an unlikely friendship with a war veteran, Isabelle hits it off with her local barista, and endless mishaps, coincidences and hook-ups gone awry abound.
Faced with unemployment, a young paperboy must choose between his trade and his friends.
Part 1 of the History of Australian Cinema series. Australian cinema from the very beginning, from the newsreels, ethnographic and actuality films, to the controversy of "The Story of the Kelly Gang" and the success of "The Sentimental Bloke".
The Queensland country town of Warwick was shocked when a flock of sheep was brutally massacred on a local property. They were even more shocked when they discovered the killings were, in fact, a sacrificial offering to Satan. For the first time, John Burdoe, the teenager who started this satanic cult, tells how he planned and executed the bloody ceremony. He also tells how he came close to stabbing one of his followers, a young man who later died in mysterious circumstances.
Sydney in Time is a rich and powerful story that charts the evolution of Sydney from its early years as a colonial outpost through to its emergence as a dynamic world city. The one-hour documentary looks back at the people, places and front page stories that have shaped a great city and helped define Australia.
The lives and careers of iconic fashion designers Jenny Kee and Linda Jackson, who created a bold Australian identity through their clothes