Trine refuses to fly. When the 18-year-old environmental activist and trumpet talent only has a few days to travel 1500 km from Lofoten to Oslo in order to reach a crucial audition at the Opera House, she is forced to hitchhike, despite great time pressure. Suddenly, her passion for music and environmental idealism is set against each other. Å ØVE (TO PRACTICE) is a film that explores resistance in passion, a deeply intimate encounter with music and the practice of listening to oneself.
30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
A young violin prodigy is manipulated and pushed to her psychological breaking point by the composer she adores.
Explore the world of sounds and rhythms, the documentary film "Music Genres" invites viewers on a fascinating journey through the diversity of musical genres, their history, and their impact on our culture. From classics to rock, from jazz to hip-hop, the film explores each genre in the light of its special characteristics, origins, and evolution. This film offers a unique opportunity to immerse oneself in the world of music through a variety of genres, revealing their depth, emotional power, and significance in shaping our musical heritage. Journeying into the realm of music through the lens of the documentary "Music Genres" will be an exhilarating and enlightening experience for music enthusiasts.
A lightning-fast 10-minute dive into art, cinema, music, culture, and beyond, in each part. Ditch the fancy, embrace the fun. No script, just surprises. This part talks about music and its history
In the 1950s, a communist country. The film follows a retired detective who investigates two enigmatic murders. Both murders are connected to a murder exposing an old secret about a corrupt officer that causes controversy throughout the city and alerts the political security. As he uncovers clues, the detective plunges deeper and deeper into a maelstrom of political and personal intrigue that leads him to a final revelation.
Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.
Emma, a talented conductor and rising star on the Montreal scene, has a complicated relationship with her father and agent Patrick. She has to face up to her emotions and decide whether she wants to successfully combine her career with her love affair with Naëlle, a recently separated cellist and mother of a young son.
“Symphonic Sketches” tells the story of one classical music concert performed by the Denver Philharmonic Orchestra. Musicians from diverse racial backgrounds connect to the repertoire in unique ways and stage an unforgettable performance.
Witness an epic, heart-rending journey of the soul, as Opera North, Phoenix Dance Theatre, Jazzart Dance Theatre and Cape Town Opera combine for a powerful performance. Filmed at Leeds Grand Theatre, this unforgettable contemporary dance staging of Mozart’s great choral lament is choreographed by Dane Hurst and conducted by Garry Walker. Featuring soloists Ellie Laugharne, Ann Taylor, Mongezi Mosoaka and Simon Shibambu alongside the Chorus and Orchestra of Opera North.
