A free-falling take on expendable Ikea furniture, space consumption, and furniture names.
Ice has always moved. When glaciation took hold some 34 million years ago, interconnected rivers of ice combined to produce the Earth's vast ice sheets. As temperatures slowly warmed glaciers developed a unique balancing act; advancing and retreating to calibrate their annual winter accumulation against summer melt. Sometimes calving colossal icebergs into the sea. A positive feedback loop that has regulated the movement of ice for millions of years.
A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.
This documentary movie explores why women get less than 2% of Venture Capital funding and how we can change that situation. The women include Dawn Lafreeda, whose money making means have been a main source of controversy. As one of the top franchise owners of Denny's Corp, Ms. Lafreeda makes her money at the expense of animals who are enduring extreme cruelty in Denny's supply chain. This has been brought to her attention, as well as Denny's top leadership, and the issue continues to be brushed aside. The movie may leave you wondering... should we applaud women profiting from animal abuse just because they are women?
A strange voice speaks to humans, it tells us, “Come, here I am, before everyone, before you.” Few have listened to it, much less understand what it is trying to tell us.
Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.
Climate change is taking place. Will we have the wisdom to survive? The film features thought leaders and activists in the realms of science, economics and spirituality discussing how we can evolve in the face of climate disruption. Interviewees include Bill McKibbin, Joanna Macy, Roger Payne and young pioneers like Herschelle Milford and Quincy Saul.
This film depicts a struggle between a male and a female trying to win the banana on the table
Go For It, Mike is a parodic music video that re-envisions the Horatio Alger myth of the American Dream via 1950s-style cultural cliches, advertising and Reagan-era media propaganda. Smith's "regular guy" Mike embodies a series of all-American male stereotypes, from the classroom to political candidacy, assuming the roles of college prep, cowboy, train engineer and real estate developer. Set to an ironic jingle that recalls an "Up With People" anthem, this lampoon of Manifest Destiny concludes with Mike riding, like an ironic Marlboro Man, into the sunset.
An unsettling mystery about desperation and class divisions in the age of digital capitalism.
The first part of the Emilia animation series. Emilia lives in an apple tree forest. There, together with the other residents, she cooks apple jam. Everything goes smoothly until factory owners arrive and start making apple jam in their factories.
This video takes an analytical and humorous stab at the plethora of “pro-feminist” advertising that followed the emergence of the “new woman” and the increasing presence of women in the workforce during the 1990s. Conventional television genres are appropriated to show how the language and sentiments of feminism have been exploited by the advertising of an industry which cares little for the rights of its own female workers.
A feature length Marxist documentary looking at 20th Century fascism, early English settler colonialism in the Americas and the prospects of a contemporary neofascism. The film focuses on the political economy of these forms, drawing on Rajani Palme Dutt's view that fascism represented an organisation of capitalist decay, to illustrate the various different laws of motion which condition the development of reactionary political movements.
An environmental account of Henry Ford’s Amazon experience decades after its failure. The story addressed by the film begins in 1927, when the Ford Motor Company attempted to establish rubber plantations on the Tapajós River, a primary tributary of the Amazon. This film addresses the recent transition from failed rubber to successful soybean cultivation for export, and its implication for land usage.
A celebrity reflects on his dark rise to fame.
