Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.
This dramatic story follows a young Nicaraguan immigrant, Irene, as she faces the challenges of life in the U.S. and re-evaluates her relationships with her boyfriend and family. "After the Earthquake" explores the immigrant experience, particularly the cultural, political and economic differences between life in North and Latin America.
Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.
How can a country survive when its jungle borders hold 4000 hostile troops?
Three U.S. journalists get too close to one another and their work in 1979 Nicaragua.
Ballad of the Little Soldier is a 1984 documentary film about child soldiers in Nicaragua.
The fighting between the Sandinista government in Nicaragua and the Contra rebels backed by U.S. money and expertise is the focus of this pro-Sandinista film by Haskell Wexler. On a secret mission to help the U.S. Special Forces train Contra rebels in the jungles of Nicaragua, American soldier Eddie Guerrero begins to question the morality of the task at hand and consider how his actions may influence the fate of a nation.
Portrait of a group of 150 U.S. citizens who spent two weeks participating in the cotton harvest in a remote village in Nicaragua, seeing for themselves the impact of the U.S.-backed Contra war.
Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.
Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.
A portrait of a remote area in the rural north of Nicaragua facing difficulties with the revolutionary process. It follows Marlon Stuart, the regional FSLN political organiser, at the time of the 1984 elections.
John Slade is hired to rescue a journalist named Frank Morris from a Sandinista prison in Nicaragua. He teams with Marta, a local woman, to carry out this mission, but then he's captured, tortured, and forced to deal with the fact that he's been betrayed.
A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.
Narrative of a period of life (1926 - 1934) of the Nicaraguan revolutionary leader Sandino, who was known as "The general of free men."
An American reporter covering a civil war in Nicaragua discovers that four soldiers that he used to know during World War II are there and they are actual vampires fighting their own personal war against an evil Nicaraguan general and his own personal army of vampires terrorizing the country.
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
Based on a true story, this made-for-cable film tells about Barry Seal, a pilot who was a drug smuggler for the infamous Medellin cartel out of Colombia. He was caught by the US Drug Enforcement Administration (DEA) and decided to turn over and help the DEA break the cartel. However, he got caught in the middle of the Reagan/Bush administration efforts to topple the Nicaraguan government in the '80s, in which Nicaraguan rebels called "contras" were allowed to smuggle cocaine into the US in exchange for their fighting against the leftist Nicaraguan government. Eventually Seal was murdered by his former Medellin employers, and some critics say it was with the tacit, if not implicit, connivance of the US administration.
When a fellow Vietnam veteran is alleged to have thrown his lot in with the cocaine cartels, special commando Paul Gleason is dispatched to Nicaragua to sort out the mess.