After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
The dramatic inside story of the monumental collision of interests at Ground Zero in the decade after 9/11.
Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?
A father and his daughter came to India as refugees post-war in their country. Few good hands help them to rebuild their lifestyle.
Mustafa Kemal Pasha started to work on the use of the new Turkish alphabet and international numbers. Community centers are established. Two problems remained; removing the records placed on the straits and Hatay. Young Turkey has healed the wounds of war and has started to progress rapidly on the path of civilization.
Some anti-republican groups are raiding police stations. The government closes all dervish lodges, sects are banned. The traitors who planned to assassinate Gazi are caught and prosecuted. Work has started to add the secularism clause to the constitution.
Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.
Mustafa Kemal Pasha and Uşşakizade Latife Hanım got married. An agreement cannot be reached at the Lausanne Conference and England leaves Lausanne. Fikriye Hanım learns of Mustafa Kemal's marriage and runs away from the sanatorium.
In the enthusiasm of victory, the streets of Izmir are moaning with the voices of "Long live the Gazi, Long live the Army, Long live the Grand National Assembly". Latife Hanım's admiration for Mustafa Kemal is increasing day by day, whose house in Izmir is used as the Headquarters of the Commander-in-Chief. Meanwhile, Zübeyde Hanım wants to meet this young woman from İzmir who is interested in her son. Latife Hanım insists on hosting Mustafa Kemal's mother, who will come to Izmir, at her home. Fikriye Hanım, who takes care of Zübeyde Hanım in Çankaya Mansion and the little Abdürrahim whom Mustafa Kemal adopted while on the Eastern Front, is getting worse, but she tries not to show it to Mustafa Kemal, whom she loves to death. Fikriye, who had a coughing fit while playing the piano at a friends meeting at the Çankaya Mansion, was sent to a sanatorium in Munich against her will. While all this is going on, the war against the invaders continues at full speed.
Peace is celebrated all over the country. A republic is enacted in the parliament and adopted by voting in the parliament.
Asahiyama Zoo in Hokkaido, is the northernmost zoo in Japan. The unpopular zoo welcomes a new zoo keeper, young Yoshida (Yasuhi Nakamura), who has more affection for insects than people after years of being bullied at school when he was young. Yoshida soon realizes that Asahiyama Zoo is facing a financial crisis and the zoo director Takizawa (Toshiyuki Nishida) has been doing everything in his power to save the zoo from closing down. Moved by Takizawa's passion, Yoshida and other zoo keepers came to share the zoo director's belief that one's dreams can come true, and together they tackle this seemingly impossible task of revitalizing Asahiyama. A breakthrough arrives in the form of “Behavioral Exhibition,†a method that is pioneered by Ashiyama's zoo keepers and which eventually makes the zoo renowned throughout the world.
A local construction worker and a Chinese engineer are assigned to build a bank in Bangui, the capital of the Central African Republic, one of the poorest countries in the world. But time is short and resources are scarce, and there are rumours in the countryside that a new civil war is brewing. And as if all this wasn’t bad enough, their relationships to their wives are falling apart. ‘Eat Bitter’ mirrors the existential and mundane problems of the two men, while an unlikely friendship and mutual trust blossoms between them. However, the chaotic microcosm of the construction site also mirrors China’s contradictory role in 21st century Africa, with the bank itself as the ultimate symbol of money, power and illusion. Director duo Pascale Appora-Gnekindy and Ningyi Sun themselves represent each of the two cultures, and their film has a unique eye for the human fallibility and irony of it all, but also for how we can reach each other despite all our many differences.
In 2018 the 1st & 2nd EPA.L. Agia Paraskevi relocates to a new state of the art building after 20+ years of being in an unsuitable and ready to fall apart one. The situation got so bad that the students where literally hanging out with the chickens next to the building and as the principal of the school council told us they actually felt like they themselves where the chickens. The construction of the new building was held up since the original contractor "ran out of money" and thus the building was abandoned mid construction, the building stayed in this stage for more than 5 years where it was looted and vandalized. The situation had reached an impasse and so the students decided to step up and speak directly to the mayor resulting in getting heard by the secondary school administration, so years later a second contractor was hired to complete this project and finally put into operation.