Madoka Sawa, a one-woman hostess, faces off against Akira, who is competing for the most popular hostess spot at a gay bar in Shinjuku. Akira steals Kusumi, who was her sponsor, and ends up opening a "Night Park" in Shinjuku, but Madoka falls into a trap set by Akira and is fired from the store. In despair, he vows revenge.
Two buddies help their room-mate find love- in all the wrong places.
From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.
Darling, he came to see me again today. I end every session more shook than the last. Because, unlike all my other patients, he shows no discomfort whatsoever with his sexual freakishness. On the contrary. I maintain my diagnosis: acute melancholia and flight from reality. He goes so deep in his delusion sometimes that he imagines he's some kind of prophet. As if he was part of a cult.
How drag queens sharing tips and tricks in dressing rooms shaped the face of today’s mainstream makeup industry.
Estelle did not expect to meet Sacha this Saturday night. Transvestite and liberated, he will shatter her very decided ideas about dance, seduction, and love.
This documentary tells the story of the beginning of Zemmoa's career - who has manged to posicion as one of the most promising and interesting talents of Mexico- with interviews of key family members, we see at the same time the first version of the concert "The age of aquarius", where Zemmoa presented her debut album "Puro desamor".
A beauty contest presents the perfect excuse to meet and follow the dreams, conflicts and wishes of men that decided to dress and perform as women.
Two Oxford University students, Jack and Charles, find themselves in a predicament. They enlist a friend to impersonate Charley's aunt from Brazil as a solution to their problems, not realizing that it would further complicate the situation.
In more repressed times, Carmen was one of NZ's most colourful and controversial figures. Geoff Steven's docu traces the life story of the transgender icon who was born Trevor Rupe in Taumarunui in 1936.
Julchen is the "feminine" (transvestite) and definitely motherly half of a couple of homosexual men, the "co-fathers" of a pleasant part-Moroccan girl. The girl has been told that her mother is dead, but Julchen knows this is not true.
A transgender actor struggles with what it means to be seen after the beloved captain of his lesbian bowling league dies and a mysterious stranger shows up at the funeral.
Stan, a cross-dresser, inherits a house haunted by his parents.
A young man who disguises himself as a girl in order to gain access to a girl's College.
Gregory is in love with a carnival masquerade. He goes after her every year. His friends make fun, but he's a romantic convict. Luisette is a transvestite in search of affection. Together they spend a night of intense love. The next day, Gregory takes Luisette to a beneficent soccer game with friends dressed as women. As she plays he falls in love. Luisette captivates him by his sincere love.
In times of strife it's important to have someone by your side. Whether it is a shoulder to cry on or a source of confidence, an imaginary friend or a distant lover, these six tales from Mexico, Brazil, France, the UK and the Netherlands prove that the search for companionship is a journey worth taking. The short films are: My Mother's Lovers [Los novios de mi madre] (2020); Bootyful (2019); Only What You Need to Know About Me [Apenas o Que Você Precisa Saber Sobre Mim] (2018); Junk (2011); High Tide [Stille Dorst] (2018).
A collage of film archives that gives an account of the artistic and territorial militancy of a group of transvestite militants during the years prior to the enactment of the gender law in the Argentine Republic.