A short film on famine that forms a part of a trilogy of short films (along with Agami by Morshedul Islam and Hooliya by Tanvir Mokammel) that kickstarted the Bangladesh Alternative Film Movement
Against the backdrop of Partition, independent India’s first hockey team defeats England, their erstwhile coloniser, to win the Gold at the 1948 London Olympics. Six decades later, when Nandy Singh, a member of this iconic team suffers a stroke, his tenacious struggle to recover, inspires his daughter to retrace his journey. Using archival footage and interviews with teammates, she reveals lives shaped by the Gold, and by Partition that made them refugees. Revealed also is a friend in Pakistan never spoken of before. Her journey in search of him morphs into a quest for the lost ‘watan’ (homeland).
Presents an overview of Pakistan--its geographic and climatic features, its methods of agricultural and industrial production, and its modes of travel.
Thatta Kedona is a remarkable village in rural Pakistan. Since 1991 36 volunteers from Western countries have visited and coached the village people in a help to self help project. Dolls and tin toys reflecting regional cultures of Pakistan are products which generate cash income for the farming families through the local cooperative-like NGO. On the other side those volunteers from Western countries are also having their fun by working in a rural village of Islamic society with strong overlays by the traditional culture of Indus Valley, the Mogul period, Hindu culture and the influences of British-India. Hence the playfulness of a "toy village" is on both sides. For the villagers by producing toys for cash in a not-yet industrialized region avoiding rural exodus to the big cites (and thus avoiding the poverty slums that are generated by migration). And joy for Western people being confronted by their own history stages in present time within a foreign context.
This BBC Three film follows the first all Asian girls’ cricket team over the summer holidays as they train for their last ever tournament together. The team started at school four years ago when their only experience of cricket was their dads and brothers watching it on the TV. In spite of this, they took to it like naturals and began winning almost all of the tournaments they entered. Last year they lost out on becoming National champions at Lords by only one run.
Madiha Aijaz’s observational documentary on public libraries in Karachi, Pakistan, provides an entry point into present-day Karachi, where irredeemable changes feel imminent. While the libraries become a bastion for the literary tradition of Urdu, their frequent visitors lament the increasing dominance of English – a residual reminder of colonialism, partition and the ‘globalising’ present. Wrapped in quiet solitude, seated readers are shown hiding away from the hustle and bustle of urban life that can be seen outside.
Lahore, Pakistan. During a whole day, we follow Agha, a little boy who, to survive, collects waste in the street without caring about the world which surrounds him. He makes us share his moods and his vision of the life.
A middle-aged man must maneuver between the deceptive allure of his social scene and the reality he has at home.
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
Amateur travelogue of the Kagan Valley and Darband, Pakistan.
Ishq e Qalandar - The Beautiful Sindh is a travel film that takes viewers through one of the most ancient civilizations on Earth called Sindh. Shezan Saleem Jo-G takes a journey of self-realization, the discovery of his roots, and building a connection with people and spirituality in Sindh.
This documentary from Brave New Foundation and director Robert Greenwald, investigates the impact of U.S. drone strikes at home and abroad through more than 70 separate interviews, including a former American drone operator who shares what he has witnessed in his own words, Pakistani families mourning loved ones and seeking legal redress, investigative journalists pursuing the truth, and top military officials warning against blowback from the loss of innocent life.
In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.
In the remote valleys of the Hindu Kush live the Kalash people, the smallest ethnic minority in Pakistan. With a distinct culture and polytheistic religion, they are said to be descendants of Alexander the Great’s troops. But modern life is reaching their valleys and their culture and way of live is under threat.
This documentary film aims to highlight the current situation of LGBT people living in Pakistan.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.
Documentary about K2 tragedy of 1986. On August 4, 1986, Diemberger and Julie Tullis reached the summit of K2 very late in the day. Shortly after starting their descent, Tullis fell and dragged Diemberger down with her. Fortunately, they somehow stopped from going over the edge and spent the night above 8,000 metres. They managed to reach Camp IV the next day, where they were forced to share a tent with six other climbers after their tent had collapsed from hurricane force winds. Tullis died later that night, possibly from high altitude cerebral edema (HACE), and only one other climber, Austrian Willi Bauer, survived the descent with Diemberger. Both climbers suffered severe frostbite during the descent and had to have amputations.