Major Daniel Kirby takes command of a squadron of Marine fliers just before they are about to go into combat. While the men are well meaning, he finds them undisciplined and prone to always finding excuses to do what is easy rather than what is necessary. The root of the problem is the second in command, Capt. Carl 'Griff' Griffin. Griff is the best flier in the group but Kirby finds him a poor commander who is not prepared to make the difficult decision that all commanders have to make - to put men in harm's way knowing that they may be killed.
On the eve of their return to the states, the crew of the U.S.S. Blake is unpleasantly surprised when their new captain, Lt. Commander Hale, announces that they've been reassigned to the upcoming invasion of Okinawa. With the news turning the crew against him, Hale must rise to the occasion to keep his men inline.
In post-WWII Japan, an American captain is brought in to help build a school, but the locals want a teahouse instead.
This work was created to commemorate the reversion of Okinawa to Japan.
A yakuza gang gets driven out of Yokohama by a big gang from Tokyo. They relocate to Okinawa to violently start over.
When his pistol is stolen, police detective Murakami is humiliated, especially when the gun is later implicated in a crime. Working with his superior, Chief Detective Sato, Murakami works feverishly to trace the location of his pistol, ultimately clashing with a gang of youthful Okinawans.
Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.
When cabaret singer Lily writes Toraya about her illness, Tora-san rushes to Okinawa to be by her side.
Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
After discovering that his father is at death's door, Mr. Miyagi sets out to Japan, to see him with Daniel. Upon arriving, Miyagi must confront an old rival. Meanwhile, Daniel encounters a new love, and some new enemies.
A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.
Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.
In the scorching heat of Okinawa, former lovers meet. Now, he is a gangster on a mission, she is a window trying to protect what is hers. Together, they get caught in the crossfire.
Naoto Kiba takes on the task of protecting thug Junpei who embezzled 500 million yen from Okinawa's largest gangster gangs, Soryu-kai.
A virginal boy travels with three hookers to a small island to collect his estranged father's washed up and sun-bleached bones.
Jimmy Tong is an expert blackmailer and thief who specialises in white-collar crimes. With his side-kick, Jimmy steals a personal diary belonging to a Yakuza leader Ken Sato intending to use its details as a platform for blackmailing and to extort money. Sato agreed to the uneasy deal and made preparations to pay Jimmy his exorbitant demands only for Sato's girlfriend Jenny to betray him and make off with the money to Okinawa.
Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of fictional pop star Lily Chou-Chou.
Tomboy Yui (Mao Inoue) brings her 3 male friends along with her to see a live performance of local Okinawan rap group, “Workaholic”. Upon witnessing the crowd reaction, the boys decide to start a rap group of their own to impress chicks—while Toru (Hayato Ichihara) has the added motivation of impressing his older, more sophisticated love interest Nagisa (Ayumi Ito). With only 2 weeks to learn how to play instruments and prepare for their first show, the performance is predictably humiliating. In order to save pride they decide to give it another shot, but this time they ditch the instruments for a sampler and stay truer to themselves. Will Toru be able to capture Nagisa’s heart? Will Yui ever confess her love to Toru or will she just keep practicing her advanced pro wrestling techniques on him instead?
An Okinawan woman kidnaps the teenage son of a U.S. Marine convicted of raping her when she was a girl.