Next Stop Paris is a short romance movie, featuring professional voice actors and an original script, but brought to life with the latest AI animation technology, a leap forward in romance storytelling. The film opens with a young woman on a train, who despite being heartbroken that her fiancé ran off with someone in her wedding party, has decided to go to her Paris honeymoon destination solo. While on board she meets a mysterious stranger, and their love story blossoms as they explore "the city of lights" together.
An aeronautical accident is caught on camera at a Parisian 'Aéro-Parc'.
Every day, Paris’ six railway stations welcome over 3,000 trains and more than a million travelers coming from France and all over Europe. The stations’ sizes are impressive: Gare du Nord is bigger than the Louvre or Notre-Dame de Paris. These railway stations are architectural landmarks and a model of urban planning despite the radical changes they’ve undergone since their construction in the middle of the 19th century. How did the railway stations manage to absorb the boom of travelers in just a few decades? What colossal works were necessary to erect and then modify these now essential buildings? From the monumental glass walls of Gare du Nord to the iconic tower of Gare de Lyon, to the first-ever all-electric train station, each has its own story, technical characteristics, and well-defined urban image.
Colm Mac Lára accidently stumbles upon a killing in a Parisian hotel and finds himself led into a dark underworld of professional assassins.
Various glamorous fashions are modeled by two "friends" including hat with large feather trim.
Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.
Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.
Vompfrat goes on a trip to Paris and wanders around while making a film in his head.
A short film about a man in Paris and a woman in Seoul getting closer by phone.
Short film based upon a ballet by Yves Bonnat & Françoise Adret
Paris of the 1930s, in the world of little rascals. Loulou gus is in the shade. To get a clean crust, it needs sorrel, fuzzy, dough. Especially since he owes a package to Pierrot's band that is close to making his skin. But Loulou is madly stiff. Luckily, Paul, who has a crush on her, spins in a small jewelry store. This is the perfect breakage opportunity. From a frill-frac behind the fagots. But Jo, Loulou's acolyte, who has no gas on all the floors, promises us not the breakage of the century, but at least the breakage of the evening… And then the Mother Mercandieux, jeweler of father in girl, is not ready to leave his jewelry to this band of thugs ... Especially since Paul is not going to let himself be told too long. So beware, there’s going to be some mayhem!
Paris, Latin Quarter. A small cinema that is both famous and marginal, Action Christine. The cashier has taken her camcorder and takes us to this public place, her workplace. Place of life, of passage, of meeting, a window open on the street, behind the hygienic phone, it is the daily life of the cashiers and the openers punctuated by the alternation of surging entrances and idle intersession.