Londyn, lata pięćdziesiąte. Słynny krawiec Reynolds Woodcock wraz z siostrą Cyril stanowią centrum brytyjskiej mody, ubierając gwiazdy filmowe, rodzinę królewską, socjetę, damy i debiutantki. Wszystko to w wytwornym stylu The House of Woodcock. Przez życie Woodcocka przewija się mnóstwo kobiet, inspirują go, towarzyszą, on wciąż pozostaje kawalerem. Aż do momentu, w którym w jego życiu pojawia się Alma, która wkrótce staje się jego muzą i kochanką. Jego uporządkowane życie burzy miłość.
Hiszpania przełomu XVIII i XIX w. Burzliwe czasy, obfitujące w niepokoje i cierpienia. Święta Inkwizycja zaostrza walkę z heretykami i wyznawcami liberalnej myśli oświeceniowej. Pochodząca z zamożnej, chrześcijańskiej rodziny piękna Ines (Natalie Portman) jest muzą Francisco Goi (Stellan Skarsgård), nadwornego malarza króla Hiszpanii. Żyjąc z portretowania wpływowych ludzi, Goya "po godzinach" z pasją uwiecznia zwyrodnienia Inkwizycji, okrucieństwa wojen, barbarzyństwo i głupotę ludzką. Niespodziewanie młodziutka Ines zostaje oskarżona o herezję i skazana na długi pobyt w więzieniu. Goya prosi o pomoc w uratowaniu dziewczyny zaprzyjaźnionego mnicha, brata Lorenzo (Javier Bardem).
Steven Philips (Albert Brooks) wpada w rozpacz. Wytwórnie filmowe, z którymi do tej pory współpracował, odrzucają napisane przez niego scenariusze. Gdy o pomoc zwraca się do kolegi po fachu, ten radzi mu by wynajął muzę. Staje się nią Sarah Little (Sharon Stone), która postanawia zainspirować scenarzystę. Kobieta musi jednak mieć zapewnione odpowiednie warunki pracy: wielki apartament, limuzynę, a co najważniejsze, gwarancję zaspokajania wszelkich zachcianek, nawet o 3 w nocy.
Starzejący się artysta Bradley Morahan przechodzi kryzys twórczy. Czuje się zmęczony i wypalony. Pewnego dnia postanawia porzucić kosmopolityczny Nowy Jork i osiedlić się na malowniczej wyspie na skraju Wielkiej Rafy Koralowej. Chce odpocząć od zgiełku wielkiego miasta i nabrać dystansu do życia i kariery. Na miejscu niespodziewanie spotyka uroczą dziewczynę, Corę Ryan, dzięki której odzyskuje chęć tworzenia.
Wayward Canadian, Matthew, crushed by the isolation of being new to Berlin, turns his sexual desires toward Matthias that spiral into a dark fixation of assumed identity. Soon, this obsessive power struggle between the two, careens toward brutal passion and violence in a bid for dominance.
A modern Cinderella in Paris: While the plain Kelly Carter works as a dresser for the famous fashion designer Francesco, she dreams of designing shoes for him. However she can't win his attention... until she helps a good fairy on the street who, unbeknownst to Kelly, enchants a pair of Kelly's shoes so that she turns into a supermodel whenever she wears them. She attends Francesco's Ball and immediately wins his heart. Now, how can she make him love her real self?
Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.
Dwudziestoparoletni Jim postanawia wyrwać się z małomiasteczkowego, klaustrofobicznego świata swoich rodziców i wyruszyć w podróż do Londynu. Wielkomiejska dżungla szybko okazuje się dla młodzieńca obca, a wręcz wroga – zostaje okradziony z całego dobytku. Jim szuka schronienia w ciemnych zaułkach Soho, gdzie spotyka barwną grupę panów do towarzystwa, którzy swych klientów zdobywają nie tylko dzięki swej urodzie, ale przede wszystkim solidnemu wykształceniu.
A film adaptation of the novelette of the same title written by Dominik Tatarka depicts the life of a young generation of artists that was formed in Slovakia during the war. Anabella, a young and beautiful girl meets a group of artists. She awakens their erotic desires but also pure feelings of love; she becomes the object of their secret fantasies as well as their artistic inspiration. And it seems that the boundaries between reality and fantasy suddenly cease to exist.
A student, a goddess and a dog meet under quaint circumstances in a turned world. This miniature can be read as a metaphor about tunnel vision and the muse it takes to wake up!
In 1934, as playwright Luigi Pirandello travels to Stockholm, where he is about to receive the Nobel Prize, he begins reliving the drama and magic of the loved ones who have populated his life and inspired his art. Pirandello reminisces about the madness of his wife, his stormy relationship with his children, his controversial stance towards fascism, and his love for Marta Abba, the young actress who became his muse.
David is a creatively stifled painter in desperate need of inspiration. As happenstance would have it, while seeking a job waiting tables, David stumbles upon a new muse in the form of a strapping diner owner named Matt. In short order the two bond over a shared love of art, and before long their passion for painting transforms into something more torrid. If it weren't for Matt's wife, Violet, everything would be perfect.
Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.
Muse, the world renowned multi-platinum selling and multi-award winning band, embarked on their ambitious Drones World Tour in 2015-16, playing over 130 dates across the globe. Known for pushing boundaries in terms of their stage production the tour saw the band perform “in the round” from the middle of the arena, with the stage design and configuration giving fans a full 360 degree audio/visual sensory experience.
A flailing Artist and her obedient Muse host their premiere original photography exhibition attended by incensed critics and peers from their art world past.
'Kiki de Montparnasse' was the unwary muse of major avant-garde painters of the early twentieth century. Memorable witness of a flamboyant Montparnasse, she emancipated from her status as a simple model and became a Queen of the Night, a painter, a press cartoonist, a writer and a cabaret singer.
Semi-fictitious biopic of Finnish poet Eino Leino, made with a large budget to celebrate the 100th anniversary of his birth. The film concentrates on his relationships with first wife Freya Schoultz and later muse, poetess L. Onerva. His friends include equally central figures of the Finnish cultural scene in the early 1900s, such as painters Halonen and Gallén-Kallela, and composer Sibelius.
An artist encounters his muse in the surreal realm of his imagination.
The Artist (Amaya Gomez) does not have The Muse with them so they are struggling to create something because they have no muse to inspire them. The Artist must pull inspiration from within themselves to which they essentially create, nothing.
Muse entered the studio to begin recording their sixth studio album in September 2011. Watch them making their album "The 2nd Law".