Upon learning of his father's terminal illness diagnosis, a young, autistic, hearing-impaired music composer and sketch artist travels back to his home to be with him and his mother.
As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.
The essence of progress in civilization has always been handiwork. In traditional Chinese civilization, the emperor was supreme. Vested with the authority to enjoy the best of handiwork, all crafts used for residence, clothing, food, and travel were the most refined and splendid.
This documentary film follows the journey of former student activist and current political staffer Chen Ting-hao after his decision to escape the cynical politicism of Taipei City to the political backwater of Matsu, an island group administered by Taiwan less than a dozen kilometers off the coast of China. The narrative follows Ting-hao as he reflects on how his political idealism fits in with everyday political reality and ponders Taiwan’s complex political landscape, Taiwan’s relations with a meddlesome yet surprisingly indifferent China, and the perspectives of Matsu residents on Taiwan-China affairs.
In the middle of the strait between Kinmen and Xiamen, China, there are patches of sea filled with floating styrofoam and endless sand pilfering across the border. Huge business opportunities, and even greater land reclamations have scarred the beauty of the original rural landscapes for the sake of “ The Chinese Dream"—a dream that places economic achievements above all else.
A documentary produced by the United States Central Intelligence Agency (CIA) that covers the history, land reform, industry, religion, educational system, and urban activities of Taiwan.
In the early 1950s, even the small villages in Taiwan were bathed in the atmosphere of White Terror. It was a difficult time for all. There was a beautiful young woman called A-zhen. She always felt that there was something weird in her house since she got married to her husband, A-yi, the village glassblower. A-zhen was very curious about the mystery surrounding the wall in her house. So, one day, she decided to investigate the real secret behind the wall.
Spy films had always been popular in Chinese-language cinema, with stories set mostly in WWII or the warlord era. The Tender Trap of Espionage, made two years before Dr. No (1962) which kickstarted the Bond film craze, is a story of intrigue between spies and counterspies within the Japanese Occupation force. The film was shot in Taiwan, offering unique visages, with cat-and-mouse mind games set in motion against trust, betrayal and seduction. Based on the British film The Two-Headed Spy (1958), future action maestro Chang Cheh wrote the script while husband-and-wife team Lo Wei and Lau Leung-wah star together as agents, with Lo doubling as director.
This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?
After handsome and rich man Dong-Ni (Alan Tang) is blinded in a car accident, he becomes moody, and does not go out of his room. Dong-Ni's mother hires beautiful Ai-Sha (Chen-chen) as her son's carer. Initially, Dong-Ni often throws tantrums at Ai-Sha, but Ai-Sha is patient, caring and does not give up. Dong-Ni's mother notices Dong-Ni's growing interests in Ai-Sha and becomes concerned, as Ai-Sha is not in the right social class for her son. What would happen to the couple?
Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?
In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.
A documentary of 24th April, 1970 assassination of Chiang Ching-kuo.
In order to pursue a life different from the past, two musicians with different backgrounds leave Taipei. One is Tz-Fan Hsu, the head of the band, The Last Wave, and the other is Thomas, the driving force behind Sheng-Xiang & Band. The two landed in Kaohsiung to start a new musical life.
Zhou Huiting (Chen Xinyi) and Zhou Huiqing (Zhou Junyi) are sisters of the same brothers and sisters. They have a very good relationship with each other. Zhou Huiting is the long-term sister who cares for Zhou Huiqing, and Zhou Huiqing is dependent on her sister and does not allow any man to come close. The appearance of Ayi (Zhang Weixi) gave Zhou Huiqing a warning light in his heart. In order to obstruct his relationship with his sister, Zhou Huiqing even deceived him with Ayi to worship the rabbit god (Chen Weihan). What the two did not think was that they were thus sucked into the world ruled by the rabbit god, where men and men were together, women and women were together, heterosexuality was regarded as heresy and would be met by rabbits. God’s punishment, this cola is badly wanted to occupy the sister’s Zhou Huiqing. In this world, Ayi complained bitterly, because his brother-in-law had a passionate pursuit of himself.
Taipeilove* is a documentary on the perception of homosexuality in the Taiwanese society. As Taiwan is the first country in Asia that is in the process of legalizing same-sex marriage, the documentary follows activists, politicians and experts in the Taiwanese society who have been fighting for marriage equality and navigating their lives through the hardship of coming-out, reaction of families, abandonment and finding love.
Two girls in the bloom of youth meet at a vocational training program. Afterwards, their lives move in completely different directions.