Dressed to Kill is directed and written by Brian De Palma. It stars Michael Caine, Angie Dickinson, Nancy Allen, Keith Gordon and Dennis Franz. Music is by Pino Donaggio and cinematography by Ralf D. Bode.
Brian De Palma continues his commitment to Hitchcock thrillers with this erotic and lurid slice of entertainment pie. Plot in short order finds a razor wielding blonde woman on the loose in the city. A high class prostitute, a psychiatrist and the son of a victim try to solve the mystery before they themselves fall to the blonde killer.
Following a housewife’s brutal murder, the only witness to the incident teams up with the woman’s son to try to find the culprit which leads them to the patient of a psychiatrist who treated her and tries to stop the killer from striking them in order to cover the crime.
This one turned out to be quite the rather enjoyable effort. A lot of the film’s great parts come from the manner in which this one deals with the expectations featured here of the film by following so close to its influences. As it follows so close to the main format here, as the general structure employed here comes direct... read the rest.
It is an enjoyable film...but one with several natural endings. And that kind of makes for a fail. You're ready for the movie to be over after it concludes and then you wait until it concludes again, and then you wait until is actually concludes.
However, it is tense, which is a De Palma hallmark, he knows how to make for a tense thriller, and that is where the appeal is, that is what really sets Dressed to Kill above a lot of other films. It plays on the nerves.
Sordid Hitchcockian crime thriller set in the heart of the Big Apple
A sexually frustrated housewife in Manhattan (Angie Dickinson) does something foolish, which leads to a crime witnessed by an upscale prostitute (Nancy Allen). A therapist (Michael Caine), a detective (Dennis Franz) and a whiz kid (Keith Gordon) help try to solve the case.
Helmed by Brian De Palma, "Dressed to Kill" (1980) is a psychological drama/thriller in the tradition of Hitchcock. You’ll see bits borrowed from “Rear Window,” “North by Northwest,” “Psycho” and De Palma’s own “Carrie.” Some of the subway sequ... read the rest.
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