De Niro as yet another deluded psycho

De Niro is Rupert Pitkin, a comedian who seeks to be as famous as his hero, Jerry Lewis. Pupkin could be Travis Bickle's equally disturbed brother - both of them living in New York and both of them losing their minds in unison.

After much rejection, the crazed Pupkin decides to kidnap his hero and hold him for ransom until a studio gives him a big break. Jerry Lewis is impressive as the total bastard that Pupkin so admires.

A disturbing movie that is more relevant nowadays than ever since the advent of the Big Brother tv show which places natio... read the rest.

Martin Scorsese's THE KING OF COMEDY was the lowest-grossing major studio film of 1982. It isn't difficult to see why: It's loaded with uncomfortable situations; there is no obvious protagonist; no sympathetic characters (the one that could potentially get our sympathy turns out to be a thief); and everyone is grating and/or unpleasant (even Tony Randall plays 𝙝𝙞𝙢𝙨𝙚𝙡𝙛 as a demanding prick). This lack of popularity was the audience's loss, as Paul Zimmerman graced Scorsese with a screenplay which was just as prescient on the topic of fame as Paddy Chayefsky's NETWORK (1976) was on the future of... read the rest.

Robert De Niro is great in this enjoyable comedy about the aspiring comedian "Pupkin" who is prepared to go to great lengths to get his moment in the sun. To that end he doorsteps acclaimed chat-show host "Jerry" (the entirely convincing Jerry Lewis) and, not exactly lacking in self-confidence, convinces him to listen to his material. Anything for a peaceable life thinks the star and agrees clearly just to be rid of the man. "Pupkin", though, isn't so easily deterred and what ensues now are a rather darkly comedic series of escapades as the little man determines to get that spotlight - even if... read the rest.