There is new-gen and there is wannabe new-gen and Sarabham belongs in the latter category of filmmaking. It has the elements that we've come to recognize in the new-gen films of the past two years. The producer CV Kumar has become a brand himself by making these films while one of its actors has become a regular feature in such films. The story belongs in the noir genre, there are twists, and the film has an urbane vibe topped with slick cinematography and editing.

And yet, the film feels somewhat empty — not hollow but empty, in the sense that its world doesn't really come as a lived-in on... read the rest.