Jean-Luc Godard's first two films (À bout de souffle and Le petit soldat) were thrillers that drew inspiration from American noir, but Une femme est une femme (A Woman is a Woman, 1961) shifts gears drastically to a riff on American musical comedies, with the characters occasionally singing and dancing, and the camera jumping between realistic depictions and these musical interludes. But as one of the seminal figures of the French New Wave with its desire to shake up conventions, Godard added some elements of his own. As the film opens, the soundtrack keeps cutting abruptly... read the rest.
Jean-Luc Godard's first two films (À bout de souffle and Le petit soldat) were thrillers that drew inspiration from American noir, but Une femme est une femme (A Woman is a Woman, 1961) shifts gears drastically to a riff on American musical comedies, with the characters occasionally singing and dancing, and the camera jumping between realistic depictions and these musical interludes. But as one of the seminal figures of the French New Wave with its desire to shake up conventions, Godard added some elements of his own. As the film opens, the soundtrack keeps cutting abruptly... read the rest.
Anna Karina is good in this quite entertainingly daft romantic caper. She is exotic dancer "Angela", happily living with "Émile" (Jean-Claude Brialy) but there's one big snag - she wants to start a family whilst he would sooner just ride his bike. "Émile" is nothing if not considerate, though, so suggests that maybe she do the deed with his best pal "Alfred" (Jean-Paul Belmondo) and that way everyone is happy. It's fair to say that he hasn't exactly discussed this scenario with his friend at the time of suggestion, either! Anyway, for the next hour or so, Jean-Luc Godard takes us on quite a mer... read the rest.
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