I saw this somewhat slow, B&W 1962 film at London's National Film Theatre a couple of years ago, during their excellent Satyajit Ray retrospective. It displays the qualities which most Ray fans like about his earlier films: the camera is thoughtful, and the time it takes to reflect on the characters is useful time for the viewer to do the same. The story is interesting as well, and much of the scenery and dialogue provides a fascinating insight into 1960s Bengali life, e.g. references to quinine (an antimalarial compound whose chemical derivatives, which are more potent, are used in modern prop... read the rest.