The latest lesbian series from award winning producers of Pure Taboo, and Girlsway is finally here. Written and directed by Bree Mills, GIRLCORE pays homage to the great lesbian pulp stories of yesterday. The most premium project by Gamma Films to date, GIRLCORE's vivid anthology brings you thrilling sights in high definition, and ultramodern cinematography that will make you homesick for the 80s.

The latest lesbian series from award winning producers of Pure Taboo, and Girlsway is finally here. Written and directed by Bree Mills, GIRLCORE pays homage to the great lesbian pulp stories of yesterday. The most premium project by Gamma Films to date, GIRLCORE's vivid anthology brings you thrilling sights in high definition, and ultra modern cinematography that will make you homesick for the 80s.

Isabelle (Julia Ann) leads her step-daughter Rose (Carolina Sweets), a gorgeous young bride, by the hands into the lobby of a wedding parlor. They are excited and fawning over each other, gabbing about the ceremony starting in just under a couple of hours. Mr. and Mrs. Howard (Brock Doom and Vera King) are supposed to be on their way to visit family for the weekend but, at the very last moment, their daughter, Susan (Alina Lopez), has fallen ill and won't get out of bed. Susan lays under the covers with a thermometer in her mouth, looking clammy and disoriented. Four best friends, Lisa (Gina Valentina), Jennifer (Jane Wilde), Michelle (Jade Baker), and Carrie (Gianna Dior), are having the time of their lives at a teen slumber party at Lisa's house. They spend the evening being silly over prank phone calls, fashion shows, and pillow fights, which makes Lisa's mom (Dana DeArmond) contemplate what the girls are doing with their lives.

The latest lesbian series from award winning producers of Pure Taboo, and Girlsway is finally here. Written and directed by Bree Mills, GIRLCORE pays homage to the great lesbian pulp stories of yesterday. The most premium project by Gamma Films to date, GIRLCORE's vivid anthology brings you thrilling sights in high definition, and ultra modern cinematography that will make you homesick for the 80s.