The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.
A man falls in love with and marries a prostitute, then has to defend her against malicious townsfolk.
The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.
Two years after receiving news of his father’s death in WWII a young boy continues to wait for trains from the front. The boy lives with his crippled uncle rather than with his mother, who has remarried and has another child. Then one day the father returns.
The movie tells the life story and friendship of five blacksmiths in town of Leninakan during the war and the years preceding it - as told by the son of one of the blacksmiths.
Artyom (Armen Dzhigarkhanyan) is a scientist who buries himself in his work after the woman he loves dies during the war. He is informed of his sweetheart's death by a young woman, and soon love blossoms between the lonely doctor and the emerging beauty. This is the big-screen debut of Margarita Terekhova in the popular film that was seen by over 20 million in the USSR.
Bolshevik Tsolak Darbinyan is infiltrated into Dashnak Army as a musician of Army music band. Despite the initial personal conflict with band leader Arsen, he is able to win the friendship of young band musicians including Arsen and to persuade them to back him on the eve of the Bolshevik invasion to Armenia.
Two part film about David Bek and Mkhitar Sparapet's major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei Parajanov. The Confession (1990) was his favorite screenplay, which was written in the 1960s and was his film-memory of the childhood, student years, marriage, imprisonment and more as the fantasist Parajanov perceived it. Parajanov gifted the screenplay to Mikhail Vartanov, made a drawing on the cover and wrote: "The Confession will only be made by a director born in 1924 in Tiflis, Georgia." He predicted that he would not finish it.
Armenian film containing three short stories: the story about the first driver and coachman of old Yerevan, the complicated psychological relationship of a loving couple set in the backdrop of Garni Temple during reconstruction and a story about human life from the point of view of a poor and homeless dog.
Vazgen, Sako, Suren and Aram are taxi drivers and close friends. When Aram fell in hopeless love with Karine, other three decide to help their friend.
Musical fantasy based on Armenian fairy tales.
A large pink bunny has adventures and many drinks at the tavern in between.
A story about young Annie who's taking her parents divorce very hard.
A village boy meets his tragic fate when he is sent to the city to work for a rich trader.
A bunch of stories, portraits and images about people of amazing destinies, including Parajanov and Tarkovsky, merging into a non-traditional and polemic image of Armenia.
Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.