A hymn to love and life, this film without commentary establishes through images a striking parallel between the serenity that times of peace bring to men and the anguish caused by the disasters and horrors of war. Archival footage, in black and white, was used to illustrate the moments of combat while an extremely agile camera captured in color the rural setting in which a young couple of lovers frolic. Hymne à l'amour et à la vie, ce film sans commentaire établit par l'image un saisissant parallèle entre la sérénité qu'apportent aux hommes les temps de paix et l'angoisse qu'engendrent les désastres et les horreurs de la guerre. Des métrages d'archives, en noir et blanc, ont été utilisés pour illustrer les moments de combat tandis qu'une caméra extrêmement agile a capté en couleurs le décor champêtre dans lequel s'ébat un jeune couple d'amoureux.
There is a man and a woman in a car. They inadvertently become tense due to the hijab of the woman's hair. In fact, if the woman's hair is seen, they will be caught by police cameras in the streets. The man constantly tells the woman to bring her scarf forward and keep the hijab so that his car is not confiscated by the police, And this is the beginning of the story...
While her relationship with her mother worsens, a grieving young adult wants to see her father, one last time...
Chapter and Verse is an experimental documentary that traces the image legacy of Northern Ireland's recent troubles via its contemporary landscapes. The camera roves with fierce curiosity amongst the Orange Order Parades, the raging 11th Night Bonfires of Belfast, the wall paintings of Londonderry, empty border-lands, murder-sites, cemeteries, home interiors, town and city streets whilst exploring how the troubles are both revealed and concealed by the Northern Irish landscape. Interviews with a mix of Northern Irish politicians, religious figures and victims of the troubles, including Rev. Ian Paisley and Bishop Emeritus of 'Derry Edward Daly, combine in a cinematic study of the complex effects of Northern Ireland's conflict history suspended in language.
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
A documentary film tells the true story of the locals in southern of Thailand through the life of 4 families that live in different provinces, but hand and share their kindness to one another. The reality of their life is arranged into the story disclosing beautiful sides of the southern of Thailand and changing the point of view about the violence that's been happened in the area.
'Haftasonu' tells the story of Hasan, who travels to Cyprus after many years following the death of his father. As he spends a weekend in his childhood village, his sense of belonging and identity will be questioned by all within. Following a festival run in 2016 and 2017, the film is now available for viewing here: https://vimeo.com/161152843
The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.
The documentary tells the story of one day in Smara, a refugee camp in the south of Algeria. A handmade symbolic toke takes us through the lives of six characters and the reality of the situation in Sahara: The past, present and future of a population without land who want that their words will be heard by the world.
A prison chain gang digs two fresh graves for men destined to be executed that night. As time slips away for the murderers' salvation, the grave diggers' mixed reactions to the grim task split them apart and unravel the progress. The supervising boss is obliged to act and, himself, lead the group through the awful task and morally justify the indifferent nature of the world.
Dominic, a conflicted soldier, tries to draw the line between what's right and wrong as he attempts to hunt down a creature.
A glimpse into the world of a bible-belt crime family trying to survive a particularly violent summer. As enemies and allies are made, turmoil begins to tear the "family" apart.
Over most of two decades, Abu Mohammad al-Jolani’s life has been a roadmap of Islamist militancy in Iraq and Syria. Designated a terrorist by the United States, the powerful Syrian militant now seeks a new relationship with the West.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
