Saddam Hussein's arsenal of "weapons of mass destruction" was George W. Bush's main justification for waging war against Iraq in 2003. After the invasion of the country, American leaders recognised that they had been mistaken, and that the Baghdad tyrant did not possess such a capability. Bush claimed it was an error and defended his good faith, denouncing the negligence of his secret services. But the brutal truth lies elsewhere: The war in Iraq was based on lies.
9/11 marked a new era in global terrorism, and a "War on Terror" was launched by the US. Since then, trillions have been spent on conventional warfare, counter-terrorism, secret intelligence, homeland security, cyberdefence and more, in pursuit of a sometimes indefinable enemy. We look at the costs and impact of this effort. Is there less terrorism today than before the war started? Is our world any safer?
On the eve of the Operation Desert Storm in the first Gulf War, the Italian government deployed eight Tornado Fighter-bombers. Gianmarco Bellini was one of the pilots, shot down, captured, abused and returned beat up but able to rise to the rank of General.
Scott Castle served in the U.S. Marine Corps for four years. While assigned to 1st Battalion, 5th Marines, 1st Marine Division he served three combat tours in Iraq, including the First and Second Battles of Fallujah.
Bobby served in the United States Army for 10 years in a CID unit. During that time, he was deployed once to Iraq in September 2006, where he developed PTSD.
Julie Mendez served in the Iraq War. Finding herself on convoys engaging insurgents, she came to question the reason why so many Iraqi found the Americans as invaders rather than liberators. She turned to art to recover from her experiences.
Michael Blackwell entered the United States Navy on Veteran's Day, 2002 and served for more than nine years. While stationed with the now-disestablished Fleet Combat Camera Group Pacific, he served alongside United States Army 5th and 10th group Special Forces in Iraq.
FRONTLINE tells the stories of soldiers who have come home haunted by their experiences during the Iraq War and asks whether the government is doing enough to help.
Pam Roark: Iraq War Nurse is a short documentary about Captain Pam Roark - a Navy nurse whose life-long passion and commitment resulted in an exciting story of female military leadership.
Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)
A documentary about the 8-day sit-in struggle by GANG Cheolmin, a 22 year-old private in the South Korean army who declared his objection to military service on November 21, 2003 in order to stop the South Korean government from sending troops to Iraq, and the peace groups supporting him.
Years after the U.S. invasion of Iraq, a loosely organized insurgency continues to target American and Coalition soldiers, as well as Iraqi security forces and civilians, with devastating results. In this sobering account of the ongoing violence, Ahmed Hashim, a specialist on Middle Eastern strategic issues and on irregular warfare, reveals the insurgents behind the widespread revolt, their motives, and their tactics. The insurgency, he shows, is not a united movement directed by a leadership with a single ideological vision. Instead, it involves former regime loyalists, Iraqis resentful of foreign occupation, foreign and domestic Islamist extremists, and elements of organized crime. These groups have cooperated with one another in the past and coordinated their attacks; but the alliance between nationalist Iraqi insurgents on the one hand and religious extremists has frayed considerably.
If a picture paints a thousand words, what will photographs from the Second Gulf War show us? This special focuses on the embedded photographers who traveled with fighting units on the cutting edge of the armored spear slicing into Iraq. The war was thereto be captured in all its raw truth by any photographer with the guts to step out and shoot the picture. In collaboration with the Associated Press, we view never-before-seen photos that portray the horror, struggle, and endurance of mankind.
The movie deals with two soldiers home from the Iraq war suffering from Post Traumatic Stress Disorder, but in vastly different ways. One sees her life falling apart in night-terrors, flashbacks, insomnia, and a total lack of government support. The other still believes he is fighting the war now that he is back on American soil. Still convinced he is supposed to torture and kill any and everyone who can be viewed as Anti-American. Soon they will be at a crossroads and blood will be flooding the American streets.
Seeking to understand 'why they hate us', the US military adopts a new strategy of cultural awareness to win over the hearts and minds of the Iraqi and Afghan people. Controversy erupts when academics embed with combat troops and the war comes home to the university.
Soundtrack to War showcases spontaneous music performances by a striking cast of battle weary. Performances made without rehearsal, under the blaring Iraqi sun, with a destroyed city, the distraction of gunfire and bursting mortar shells forming a frightening backdrop. American culture came into Iraq, wired into its tanks and helicopters - a live soundtrack to war, with lyrics such as Let The Bodies Hit The Floor, Round Out, The Tank and Bombs over Baghdad, being memorised by every soldier and forever linked to the violent events they accompanied. As the war extended into a second year, many started writing and performing their own songs. It was rock, rap & roll.
Comical Ali is a spoof documentary about the thus-nicknamed former Iraqi Minister for Information, Mohammed Saeed Al-Sahaf, whose bravura performances at press conferences throughout the brief Iraq War of 2003 turned him into a global icon.
LETTERS, a dramatic historical fiction written by Mrs. Evelyn Merritt in 2010, tells the story of U.S. soldiers and their loved ones through their correspondence beginning with the Civil War and ending with the War in Iraq. Sahuarita High School students adapted the Readers’ Theatre play into a movie, reasoning the student actors would be kept safe from Covid-19 by filming them individually, and afterward the footage could be reassembled into a screenplay following the original dialogue.
About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.
An intimate portrait of American dissenters, who oppose the U.S. invasion and military occupation of Iraq, reflecting on their personal participation as engaged citizens in a time of war. Filmmaker Robbie Leppzer chronicles the story of individuals living in one area of New England, including middle and high school students, college students, teachers, clergy, community activists, and war veterans, as they take part in vigils, marches, theater performances, and civil disobedience sit-ins to protest the war.