Norwegian propaganda film and cult drama about Eva (16) and Arne (17), both from well established homes, attend a class where a professor says that cannabis is safer than alcohol. Together with some friends they decide to try the drug. The start of a drug hell for all involved. The film was poorly received by the critics, but it nonetheless became one of the highest-grossing theater films in Norway in 1969

Report on vandalism

Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. While he wants to climb up the social ladder, it isn't without turmoil, and being torn between his old working class roots, and the shiny new facade of middle class consciousness.

Documentary on New York Graffiti featuring art by Cliff, Phase 2, Comet, Blade, IN, Billy167, LSD OM, Ajax , Dean, Mico, Checker 170, Skylark

"Toronto's first punk rock club is the subject of this innovative document featuring performances by The Dead Boys, Teenage Head and the Diodes. The rock magazine CREEM praised the film for 'doing everything in its flickering power to self-destruct,' and commented that anyone who 'thought Canadians bored their beef to death ate a different delicatessen." –The Funnel Film Theatre Distribution Catalog.

A conservative Midwest businessman ventures into the sordid underworld of pornography in search of his runaway teenage daughter who’s making hardcore films in the pits of Los Angeles.

When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

In the Moss Side, Manchester "race riots" of 1981 a struggling punk band are tempted by a sinister entrepreneur to perform at a major gig in support of British extreme Right political organizations.

Two young kids in love, one young graffiti artist and the other a foster-child, find trouble on the mean streets on the other side of the river in New York City. Officer Charles Banks finds young Danny tagging subway cars and then catches Teiresa selling drugs for another mislead teen, Kirk. The officer, instead of turning both of them in, gives both teens a chance to make more of their lives together. Changing their ways turns out to be more challenging than first thought.

After working as a reporter and an assistant at a radio station, Watanabe Yoshimitsu, former leader of the bosozoku gang Black Emperor, returned to his old stomping grounds and began to make a film about bosozoku. At the time, he was 21. The teenage members of the bosozoku group, also known as " Thunder " would get into their revamped motorbikes and cars and race around the city. With the police as their enemies, they ran from patrol cars and did other defiant acts. They would put on outlandish clothing and, as a result of fights with rival groups, were very loyal to other members of their own gang. Every Saturday, they would cruise around, vanish and reappear throughout the entire night with no particular goal. However on 1 December 1978, because of provisions in the new highway transport law, the end was at hand for their " season of running wild. " The film shows them simply continuing to run wild on this last night before the law is to take effect.

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

In different times and spaces, genres like Death Metal are born. The early 90′s were still full of the 80′s vibe of over-consumption & greed, which found it’s way into everyday life, even into the music that was created. Just like hardcore in the early 80′s, not all of the teenagers of this decade wanted to hear the bubblegum pop that had invaded the airwaves. Death Metal did not want to be digested by the masses, and as a sub culture it was totally happy being the outsider. I’m not sure what was in the water in Florida during the late 80′s, because those kids were on some next shit, and they helped push the genre to other heights. When you are living in a certain period of time, you do realize that the life you are living could become historic to others in the future.

Hip-Hop Culture and Graffiti Video Magazine

Amidst the swirl of Tokyo's seamy nightlife of designer drugs, casual sex, and American slang, Zhou turns 30. It's a spiritual crisis for this Chinese immigrant who quotes Confucius, this Lothario and con artist who fences stolen goods. He falls for Kyōko, a seemingly shy provincial woman looking for the man who jilted her sister. As their relationship plays out, Hanawa intercuts stories of Kazuo, a hyperkinetic artist who loves the trendy Yōko (Kazuo bores her, and she pursues the indifferent Zhou), and Ali, a Pakistani Muslim who, broke and forlorn, stands outside a convenience store, love-struck by a clerk because she looked into his eyes (she thought he was shop-lifting)

Aussie boys of Asian descent candidly discuss their status as a "minority within a minority".