Two best friends are sent to an abandoned warehouse through an anonymous letter. They find themselves trapped in a basement and are forced to play a childhood game they bonded over for years.
At the wheel of a lorry, Manju travels the roads of India carrying goods to Delhi. As head of the company Manju is respectable, well dressed and regularly visits the barber. However, Manju is a woman. It is not only because of her job, traditionally reserved for men, that she is breaking taboos. A beautiful and rare documentary on the position of women India, and those who break the barriers.
Addey is a lorry driver and an industrious family man who makes ends meet by plying his trade between Accra, the capital city, and his village , Kukurantumi. When he loses his job for reasons beyond his control, he plots a marriage between his daughter, Abena, and an affluent businessman but she refuses the union because she loved another. Abena disobeys her father Addey and, with Bob, the poor young man she loves, elopes to Accra where things worsen.
Trailer Boys follows the journey of Muhammad Irfan Rafieh, a key member of Abam2 Trailer Singapura, which is a community of heavy vehicle drivers from Singapore. Truck drivers are mostly seen as uneducated and unskilled compared to the rest of society, especially in fast-paced competitive Singapore. This film explores how young truck drivers in Singapore such as Irfan find ways to break stereotypes and improve how society perceives them through their day to day work and their trailer club.
Branko has been a truck driver for only a few months, a choice that is quite understandable, given that he now earns three times as much as he did as a schoolteacher. But everything has a price, which is not always quantifiable in terms of money. As children we were told: “work ennobles man”. But here the opposite seems true: it is Branko, with his efficiency, his obstinacy, his good will, who ennobles a job that grows more and more alienating, absurd and enslaving.
A young girl travels across state lines, smuggling a mysterious cargo with her stoic, truck-driving father.
A lone truck driver drives his load, a ferris wheel, through a remote desert landscape. Trapped in his fears and habits, he hardly dares to step out of the sheltered driver's cabin. His pastime of silhouettes accompanies him on his journey through no-man's-land and beyond the edge of his universe.
Don Duong stars as a truck driver who falls in love with a young student girl in a roadside border canteen. Unsure about him, she returns to school but finally decides to throw in her lot with him. This decision forms the gambling motif in the film, a decision which causes her grief, when she later becomes the subject of his gamble.
Keon wants his friend's girlfriend so he tries to take her by force but she gets away. Instead, she runs into a truck driver who rapes and murders her. Keon is wracked with guilt. As the investigators close in on Keon, Madam Sun-wu hides him. Keon becomes Madam Sun-wu's toy-boy. He also becomes a nude model for Ma Mi-ae, Madam Sun-wu's friend. Mi-ae is drawn to Keon. Mrs. Yun, whose husband is impotent, also looks to Keon to satisfy her desires. As the investigation's net tightens, Keon's life falls apart. Mrs. Yun dumps Keon on a road in the middle of the night. The prostitute Lan helps Keon out. However, in despair, Keon runs out into the rain and screams. On TV, the news broadcast the capture of the real criminal.
Big Rig (2008) is a documentary film by Doug Pray about long-haul truck drivers. The film consists of a series of interviews with different drivers, focusing on both their personal life stories and also the life and culture of truck drivers in the United States.
Gösta is a lorry driver and has been married to Birgitta for eight years. Their marriage is only held together by their daughter. Gösta picks up girls along the roads and during a drive to Malmö he stumbles on the singing actress Irene. Gösta is captivated by her romantic presence and her joy of life. Besides picking up women, Gösta is sometimes affected by sudden seizures. His wife is unaware of this.
Truck drivers Ronny and Micke have a secret relationship. They meet up at rest areas along the road, where no one can see them.
Romanian truck driver Stancu is worried about his nephew Dragan, who often takes risks to keep the schedule of the logistics company.
Emel works at Osman's club. There she meets Kemal and they fall in love. They decide to get married. Kemal's man Mahmut, gets Kemal into a pretended drugs business and causes Kemal to go to Tehran. Kemal writes letters to Emel but they are kept by Mahmut and Emel never sees them. Mahmut calls Kemal to Istanbul.
Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.
A young woman leaves her older husband, the owner of a village mill, for a truck driver whom she met while he was in their village by business. While trying to find him, she experiences the life in suburbia, and gets back to her husband disappointed, disgraced and humiliated.
Old Mr. Cohen (Paul Graetz) simply walks away from his London department store, leaving his sons to run it.
This trucker road movie tells the story of four men driving 30-ton meat-carriers in shuttle service between Denmark and Italy. Against their will, the truckers get involved in criminal activities that flourish as a result of European custom service bureaucracy. Their bonding as friends and their strongly rooted family life help them through.