‘Mo’ McIsaac and his sidekick Donald try to find work to support a young orphan girl he finds dancing for pennies in the street, Miriam, unaware she is really the missing daughter of rich aristocrat, Major Burnett. Gangster Al Baloney and Mae West impersonator Kate kidnap the girl and Mo is blamed for her disappearance.
Swinging and twirling Dorothy Toy Fong the legendary tap dancer is still exciting at 99 years old. Award-winning reporter Rick Quan traces Fong’s journey as a famous duo with Paul Wing and exciting run with her Oriental Showgirl group. Fong’s wondrous spirit dances off the screen and into your heart.
Sitting in a theater box, Edgar Bergen and Charlie McCarthy make comments between the acts of a vaudeville show.
Benny Rubin performs vaudeville routines between singing and dancing acts.
A miniature vaudeville show, complete with a title card introducing each act, is presented. First up is The On-Wah Troupe, an East Asian group of contortionists. Next, Blossom Seeley and Benny Fields sing a duet of the song, "Why Don't You Practice What You Preach". Third up, father and son Pat Rooney and Pat Rooney Jr. perform a recitation and dance musing about if they will ever be as clever as their dad. And the last act on the bill is The Runaway Four, a group of comic acrobats.
Georgie Price tells Bryan Foy, who is to direct his short film, that he is nervous about performing to a camera and microphone instead of an audience. He then sings a couple songs, in an Al Jolson/Eddie Cantor style.
When the paperhangers go on strike, guests at a newlyweds' housewarming party try to finish the job with disastrous results.
Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China...
https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/
Three young women with dark, curly hair stand on a stage with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They begin by raising their right legs up by their heads, and then perform a dance with a variety of kicks and leg movements, their hands either in the air or pulling up their skirts. The sisters also grab their right legs again and hop in a circle, then do cartwheels and land on the floor in the splits. Jumping back to their feet, the women twirl in circles and around each other in circles in what appears to be a type of pirouette, while holding up their skirts and showing their bloomers in a manner similar to the cancan.
Olive rushes over to show Popeye the headline: Vaudeville is coming back. They agree to rehearse their old act. After a brief song-and-dance intro, the act begins: Popeye demonstrating his strength while Olive displays her flexibility and balance; impersonations of Jimmy Durante, Stan Laurel and Groucho Marx; and the last act, more feats of strength and agility.
After getting kicked out of a vaudeville show for misbehaving, they decide to put on a show of their own.
Following a live orchestra opening, emcee Eddie Garr greets the audience and tells them about his trip to Los Angeles, where out-of-work actors are always 'acting' while in their service-industry jobs. What follows is a cavalcade of wild and wacky performances.
Young Gloria's father and mother go out for the evening to see a television broadcast. Gloria's grandfather entertains her with stories about his days in vaudeville.
A woman wearing a light-colored leotard, gathered at the waist, and tights stands against a black background. Although she is filmed in a long shot, her feet are cut off in the frame. She opens with a flourish of her arms and faces the camera. First stretching up with her arms, Latina then bends in half at the waist, steps into a metal ring or hoop, and places her head in the ring as well.
An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.
Comedy. A father whose looking for a suitable candidate for his daughter ends up having a mistress and tigers prowling all around him.
A man performs tricks on a theatre stage with a bowler hat and a billiards ball in equilibrium on his arms and body.
A joyful insight into the creative world of Barry and Joan Grantham, two British eccentrics who have kept the skills of vaudeville alive for over seventy years. Since becoming stage-struck lovers in 1948, Barry and Joan have taught, danced and acted alongside the greats of British film and theatre. They are the last of the golden generation of vaudeville, eager to pass their legacy on to future generations.
A score of amateur children sing and dance in costume in a multi-act musical revue.
This film tells the story of itinerant circus performers, cabaret acts and fairground attractions, showing rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment, chronicled from the 19th and 20th century. We will see early shows that wowed the world and home movies of some of the greatest circus families. Director Benedikt Erlingsson takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world. This rich visual archive has been created with exclusive access to The University of Sheffield’s National Fairground Archive and is accompanied by an epic new score by Georg Holm and Orri Páll Dýrason of Sigur Rós, in collaboration with Hilmar Örn Hilmarsson and Kjartan Dagur Holm.