The historical-revolutionary film by Dmitry Frolov, permeated with the romanticism of the revolutionary events of 1917, echoing the moods of August 1991. Since the film was shot the day after the victory over the coup plotters in the USSR in August 1991. All thoughts of the beekeeper - quotations from Lenin's works.
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy.
Dziga Vertov-directed Soviet newsreel. The first themed issue of Kino-Pravda, devoted to the fifth anniversary of the October Revolution in 1922.
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Rebuilding of the destroyed Siberian village of Taseevo / Railroad station Sljudjanka / Abandoned mica pits near Lake Baikal / Soči health resort / Chudjakovskij-Park / Beach near Tuapse / The loading of silk / Afghanistan, Kabul / Peacetime use of tanks / Mountain road / Chapel in the Caucasus.
Historical film about the dramatic event in the southern regions of Azerbaijan during the 1917 Soviet Revolution.
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.
Dziga Vertov-directed Soviet newsreel covering: First anniversary of Lenin's death / Smycka of the city and the village: group of peasants visit Moscow / Lenin's effect on peasants and oppressed nations
Dziga Vertov-directed Soviet newsreel covering: Congress of the "Living Church" / Opening of the horse racing season / Demonstration of an American movie camera / Operation of mobile projection units.
Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.
Dziga Vertov-directed Soviet newsreel covering: IV. Congress of the Comintern / Congress of the Profintern.
Dziga Vertov-directed Soviet newsreel covering: Peasant People's Commissar for Agricultural Affairs, Vasilij Jakovenko / Health resort Soči / Sanatorium for children / Harness racing - The first Red Derby.
The film was made in the days of the August 1991 coup in Leningrad, USSR . Respecting the manner of a proprietary parallel cinema with the use of hand-held camera . Subsequently, Lars von Trier in his " Dogma " went on the same way , using a handheld camera without a tripod or placing special light. The soundtrack of the film is the soundtrack Emergency Committee appeal for the All-Union Radio August 19, 1991 . The film captured the moment of change red tricolor flag on the roof of the Mariinsky Palace on August 20, 1991.
Dziga Vertov-directed Soviet newsreel covering: All-Russian Congress of Trade Unions / Delegations and diplomats / Renaming of a confectionery factory / Unloading supplies / Komsomol Day / Red Army maneuvers.
Dziga Vertov-directed Soviet newsreel covering: Arts and crafts exhibition / Actions against hunger / Eisenstein's first film "Dnevnik Glumova" ("Glumov's Diary") / Young Pioneers / May 1, parades
Docu-drama about political and military conflict during the Russian Civil War in 1918, from an orthodox pro-Communist viewpoint.
Dziga Vertov-directed Soviet newsreel covering: Against war / Against Gods / Education / Agitation / Sports and gymnastics / Danger of war.
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Demonstrators carrying banners.
Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.