The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.

In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.

A coming-of-age story set in Slovenian town during WW2.

The story of the railroad in Illinois and the train's role in moving product out of the states to the rest of America.

The Truth That Wasn't There is an award-winning documentary about three student filmmakers who cross the front-lines in the wake of civil war in Sri Lanka. In doing so they became the first independent journalists to visit the final battlegrounds. This is the story of what they found.

Willy Ronis lived his life between Paris and Provence capturing post-war life. From a historical shot to intimacy, his pictures speak of history and the idea of framing. He was the first French photographer to work for LIFE magazine.

A colorful travelogue of London's most historic buildings and the residual damage still left from WWII.

A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.

The Fallen of World War II is an interactive documentary that examines the human cost of the second World War and the decline in battle deaths in the years since the war. The 15-minute data visualization uses cinematic storytelling techniques to provide viewers with a fresh and dramatic perspective of a pivotal moment in history. The film follows a linear narration, but it allows viewers to pause during key moments to interact with the charts and dig deeper into the numbers.

World War II has ended, yet a terror still grips the streets. Lead Detective Hank Murphy and partner Joe Branka have exhausted all leads and case files in their search of a ruthless serial killer that is stalking the city streets and killing with no mercy while hiding in the shadows. With the victims increasing by the day and the press coverage adding pressure to the investigation, an unexpected call from a mysterious stranger may be what the Detectives need to close the case and catch the killer.

A fascinating compilation of scenes showing diversity and disparity in 1940s China. The ancient Forbidden City and Great Wall are followed by Shanghai’s metropolitan skyline; primitive farming methods are juxtaposed with mechanised factories; children in rags are contrasted with models wearing the latest fashions; Nationalist commanders and Communist leaders vie for support.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Story of young man who has lost an arm in the war and tries to find his place in postwar Ljubljana.

A young man lives through the end of World War II

Between 1993 and 1995, artist and photographer Louis Jammes took pictures of people on the streets of Sarajevo under siege and gave them angelic face and wings. Then he put his huge portraits on destroyed city walls. Suddenly, it seems as life is getting back with their arrival, because they brought a sense of peace, beauty, nostalgia...