In 1953, in an old cabinet of a former photographer from Zermatt, a first mountaineering film was found. It was a silent film from the first era showing the ascent of the Matterhorn by a group of guides across the Hornli ridge. The film is attributed to the American Frederick Burlingham and dated 1901 and is therefore the first mountaineering film in history. The story of the discovery was also dressed in a certain aura of legend and mystery as it was told that the original copy of the film had been lost forever in a shipwreck in the Atlantic and was the only copy printed that remained. The film was renamed Cervin 1901 or Cervino 1901, and in 2014, after being restored again. But the truth is that this whole story, which has somehow held together throughout this period, is full of inaccuracies...
Joseph Vallot and his team of guides and porters climb Mont Blanc in 1906. Their ascent will take three days. They spent their nights at the Grands Mulets refuge and the Grand Plateau refuge. This is the very first successfully filmed ascent. Joseph Vallot (1854-1925), rich heir of Lodève in Occitania. He devotes part of his fortune to the observation of the Alps, sometimes opposing the scientific community. He built an observatory, still standing today.
"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.
Professional dancer Diotima finds herself the apex of a love triangle when she is pursued by two mountain climbers, Vigo and his older friend.
Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.
Donald, Mickey, and Pluto climb the Alps. While up top, Donald has a run-in with a mountain goat over some edelweiss, Mickey has a row with an eagle over its eggs; one of them hatches, and gives Pluto some trouble (as does the grog a Saint Bernard gives him when he falls into a snowbank).
Account of the first French expedition to the Himalayas, which attempted to climb the hidden peak (Gasherbrum I) in 1936, from the preparations for the trip to the end of the ascent. After a long approach walk through quasi-desert regions, then on a huge glacier, the caravan of 700 porters arrives at the foot of Hidden Peak. The expedition was led by Henry de Ségogne, with Jean Charignon, Pierre Allain, Raymond Leininger, Jean Carle, Jean Deudon, Louis Neltner, Jacques Azémar, doctor Jeand Arlaud and director Marcel Ichac. Weather conditions, logistical problems and a strike among Sherpas forced the team to retire at 6900m on the south face. The film received the Silver Lion at the Venice Film Festival in 1938.
Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.
Making of the cinematographic shooting of "Premier de Cordée" directed by Louis Daquin in the Mont-Blanc massif. In 1943. Alain Pol films the risky adventure of filming in the high mountains with a team of seventy people. The images of the making-of reveal the technical constraints encountered by the actors and technicians: falling rocks, crossing glaciers and long approach walks at altitude to the filming locations. Six actors and technicians will also be injured and the main role - that of Pierre - will be reassigned to André Le Gall following a bad fall by Roger Pigaut.
A screen adaptation of the well-known novel by Roger Frison-Roche about the harsh lives of mountain guides and their families in the French Alps, near Chamonix and the French/Swiss/Italian borders... Like his father, Zian Servettaz is a dedicated mountain man. His Italian-born wife Bianca does not adjust well to his mountain village in France, and to the ever life-threatening dangers presented by his mountain guiding and climbing. She briefly returns to Italy and to her family. However, after Zian's insistence and trip to Italy, she returns to mountain life in the French Alps. Once back there, events will unfold, changing their lives as well as those of other mountain people forever.
L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.
Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.
"Flammes de Pierre" is the first documentary made by Gaston Rébuffat himself in 1947. It depicts Rébuffat in full ascent of the Flammes De Pierre, wild ridges in the heart of the Mont Blanc massif overlooking Chamonix. Like Roger Frison-Roche, Walter Bonatti, René Desmaison or Giusto Gervasutti, Gaston Rébuffat has written and filmed the great pages of contemporary mountaineering but above all, he knew how to talk about it with enough poetry so that it is not simply airtight race stories for spectators. Stories that have been triggers for many readers, who have come to know “stone flames” thanks to him.
"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.
History, advice and demonstrations of mountaineering in the Mont Blanc massif by the renowned guides of the National School of Ski and Mountaineering from Chamonix. The film starts with an historical summary illustrating the aspirations and methods that lead man to conquer the mountains. Armand Charlet teaches mountaineering techniques and takes his students to the field for glacier or rock exercises. Gaston Rebuffat makes demonstrations of particularly dangerous climbs. At altitude, people move in solitude, cold and silence, like circus acrobats without spectators, but nothing stops the modern mountaineer.
In 1950, a French expedition led by Maurice Herzog went to central Nepal to conquer the highest peak (8,091 meters): Annapurna. The film is not only made of what we see, but even more of what we don't see. Its imperfections are the negative imprint of the adventure. Memory is the most faithful of films.
Gaston Rébuffat is part of the history of mountaineering. Marseillais prodigy, high mountain guide of the Chamonix guide company and famous for the ascent of the most famous north faces: some are 1st rehearsals, others 1st French or 1st as a guide. Filmed by Georges Tairraz, this masterpiece released in 1955 reveals the beauty of effort and the pleasure of sharing in the mountains. Apart from the feat, the mountains are not there to satisfy egocentric ambitions. A classic !
In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.
Selfish Chris Teller pressures his older brother, a retired climber, to accompany him on a treacherous Alpine climb to loot the bodies of plane crash victims.
