A recent college graduate moves to Philadelphia and meets a woman at her local Wawa with whom she forms a romantic bond.
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Tirza Hightower is a jet setting executive ready to shake things up and lay low for awhile. Kam Mercer, a corporate brand strategist by day, is an artist who might have just found his way out of the corporate sector. Both at a crossroads, they meet at what seems like an inopportune time. Things could go left or right, when is the right time to take a chance on connection?
You see her for the first time in the supermarket. She's the most beautiful girl you've ever seen. You go on a few dates, a couple walks and very soon, you're hanging out all the time. You tell her you love her and she loves you. Things have never felt better. But one day, you notice something about her you hadn't noticed before.
This anthology film portrays love beyond the status quo. Five stories about self-love, same-sex relationships, new-found love and polyamory starring a fully, sexually diverse ensemble. From Mattioli Productions, a trans-owned production company, these stories explore what it means to love without boundaries. Segments: [1] "Mass" (Linus Ignatius, dir.)(10:25) … [2] "How to Fold a Fitted Sheet" (Tony Clemente Jr.)(8:00) … [3] "Neon Boys" (A.J. Mattioli)(28:16) … [4] "Hopelessly" (Tony Clemente Jr.)(4:56) … [5] "Innocent Boys" (Brock Cravy)(11:00).
Two forever intertwined lovers, Edwin and Rosko, recollect on their long spanning relationship. What seems like a normal healthy relationship is revealed to have a dark brewing secret underneath. They explore their sexuality together but everything changes once they begin to taste the flesh of another...
A love story about destiny. A destiny story about love.
Comedy movie that deals with typical behavior of young teens.
Tensions rise in two relationships, that are intertwined by mutual connection and jealousy.
A documentary that approaches polyamory from the intimate point of view of an Afro-American family who decided to live an authentic life without denying the option of diversity in their love and family.
A teenager celebrates turning sixteen on a summer's evening in London by committing a crime to impress his girlfriend. When the police arrive he faces one of his first serious career choices. Featuring the music of Madness.
In this animated film, an innocent greeting between two people is quickly transformed into a tangled struggle, illustrating the twists and turns of a love affair. Relationships are visceral attachments, often leading to one dominating and consuming the other, then moving on easily and heartlessly. This film is autobiographical, a visual metaphor of an experience I had in my youth with one of my first girlfriends, perhaps the first love of my life. We learn a lot from experiences like this.
After being introduced by a mutual college friend, two unnamed characters form an immediate connection. As their romantic relationship progresses, the honeymoon fades and the two are forced to grapple with their own changing identities and career ambitions.
Oliver doesn’t have a family so he steals one.
Daniel moves into a Seniors' residence because he is lonely. There he meets Violet and they fall in love. However, Violet's daughter-in-law does not approve of her starting a new relationship and does everything in her power to keep them apart. How much autonomy are seniors given to make their own decisions? At what point do they cease to be capable of making personal choices?