Good Night, Everybuds! is a healthy hippie porn. This joyful, dreamy choreography meanders around sensual love, cozy sexuality, and cuddling in the shape of an animated short film by director Benedikt Hummel.
A film crew is shooting a scene. Their gestures gradually slip into dancing, revealing the beauty lying in the choreography of film sets.
A piece that tries to keep the imagination in the highest possible state of alert using a minimum of materials, all found to hand inside the creator's workshop space. An adventure of the body and mind in more raw and stripped-back form.
A short dance film about a mother’s relationship to her pregnancy, as she deals with fear and hope about bringing a black baby boy into the world in 2020.
In a dystopian present, a young Japanese-American man battles the cascading effects of his family's wrongful incarceration in the 1940s.
This documentary tells the fascinating story of Vija Vetra, a world-renowned Latvian dancer, choreographer and teacher. At the age of 84, Vetra remains a vital and creative force, and her tale offers inspiration for both artists and lovers of the arts. In a career spanning seven decades, she has mastered diverse styles ranging from ballet to traditional Indian dance, and her talent has won her acclaim as a 'spirit in human form' and 'the bridge between East and West.' Her life is a celebration of the power and beauty of the art of dance, but is also a powerful story of struggle, loneliness and sacrifice. Her creative , positive spirit stands alone against a materialistic world that is constantly changing. Her wise soul, her point of view and criticism towards the modern world push us to think about secret meanings, symbols and the simplicity of life.
This surreal animated short depicts an impossible synchronized dive.
Thierry De Mey filmed Rosas danst Rosas in the former technical school of architect Henry Van de Velde in Leuven. The film version is much shorter than the show itself. In his film Thierry De Mey opts for a heavily ‘inter-cut’ version in which, apart from the cast of four dancers from 1995 and 1996, he also has all the other performers from the long history of the show dance along. He makes maximum use of the geometrical and spatial qualities of the Van de Veldes building. Incidentally, the building was thoroughly renovated straight after the film was made, making it one of the last testimonials to the original architecture. The film was shown on all of the major European television channels and also had a cinema career in the ‘art house circuit’.
In a video installation distilled from a live performance that Forsythe choreographed and directed in 2016, dancers Rauf "Rubberlegz" Yasit and Riley Watts clasp and unclasp each other in complex configurations that make it difficult for the viewer to determine where one body ends and the other begins. This slow-motion physical and optical puzzle, which Forsythe calls an "entanglement", is a choreographic event from which the common elements typically associated with choreography—the structural development of time and space and the visual isolation of parts—have been subtracted. The complex "threading" of the dancers' bodies into their own negative spaces creates visual conundrums that defy the apparent logic of the situation. The title is a play on words that, like the human situation it describes, threads two languages together: the English word "align", which sounds like the German word "allein" (alone), is fused with the German word "Einigung" (agreement).
A dance performance salute to choreographer-dancer Lester Horton with Alvin Ailey, Carmen de Lavallade and James Truitte, all former members of his company. They perform various works by Horton.
Presents selections from the major works of choreographer Alvin Ailey as performed by his City Center Dance Theater to background music ranging from modern blues to classical music to traditional spirituals. The choreography is a reflection of the many varied influences in Alvin Ailey's life, influences that are both seen and felt through the vivid performance of the company, which includes the world-renowned artist Judith Jamison.
The musical, performed by the members as themselves, forming three main couples, is about love. Which is treated to the rhythm of songs where the members dance and sing representing what they feel in each specific moment.
A partnership between Matthew Bourne's New Adventures and Magic Me, the UK's leading intergenerational arts charity, Moving in Time is a heartwarming short dance film based on stories told by residents of St. Fillan's Care Home, many of whom are living with dementia.
The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.
From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.
CYCLES is a playful, sweetheart choreography, circling through the madness of grief.
A film crew wants to make a serious drama, but the investors agree to fund the movie only if they make something funny. Hence the drama becomes a comedy with famous singer Đorđe Marjanović in star role.
The dance film When the Night Falls tells the story of a woman fleeing the horrors of a collapsing society in the near future. Along the way, she encounters people on whose trust her entire future depends on.
After their getaway goes wrong, two bank robbers (sisters Connie and Sly) set off a nearby car alarm. The siren pulls them into a trance-like state, making them perform a wild, hypnotic dance around the vehicle.
Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts.