Relatos de Reconciliação is a broadcast project that artistically interprets the interviews and testimonies of some victims who suffered different types of violence in Colombia.

The documentary Custodians – A Story of Ancient Echoes follows the journey of a local community in Herschel, Saskatchewan during the summer of 2021 as they work to preserve and protect the pastureland, native grasslands, and important Indigenous artifacts found near the village. Upon discoveries of dinosaurs, marine fossils and significant Indigenous sites and petroglyphs on nearby farmland, an aging population of community volunteers come together to preserve the land and its stories including the Indigenous history, paleontology, and local ecology. “We have found a living library” says Métis Artist Jo Cooper who has spent the past 20 years in Herschel working alongside locals. The stories of the land and the echoes of the past form new friendships, unravel mysteries and model a potential for deep justice, reconciliation and healing between people and the land.

Colebrook Blackwood Reconciliation Park is where the Colebrook Training Home once stood. It is now a permanent memorial for the Aboriginal children of the “Stolen Generation” and their families.

In the form of a poetic love letter to its nation, this short film reveals a strong community and the anchoring of the new generation in this rich culture.

A young man washes ashore, in search of someone he cannot recall. But his death three years ago complicates a reconciliation.

Black soldiers are captured by red soldiers and shot dead. Then, red soldiers capture black and shoot them. And so on to the bare end.

An aging ex-convict tries to reconnect with his estranged son after finding out some life-changing news.

A man tries to reconnect with his father who works at a laundrette.

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce.

After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

In this unique and riveting film, a troubled man has a series of dreams in which he finds himself thrown back to a time before his birth, into the Angolan Border War, as a combat soldier. There he meets his father as a young man, when he was a member of the Special Forces. As they go through combat together, the son gets to know his father in a way he never has, giving him insight and compassion, and he is able to let go of lifelong feelings of abandonment, resentment and anger. This leads to forgiveness and a real-life reconciliation, which drives home the underlying message of this film restoring the hearts of the fathers to the children and the hearts of the children to the fathers.

Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.

After being introduced by a mutual college friend, two unnamed characters form an immediate connection. As their romantic relationship progresses, the honeymoon fades and the two are forced to grapple with their own changing identities and career ambitions.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

With nothing but partying and music on his mind, Jake is forced to take a hard look at himself and the ashes around him after life and his singing career slowly falls apart. Jake's old flame, BECCA, suddenly reappears back in his life after seeing her again at a local music show. Good girl Becca, never forgetting who Jake is, makes him work for it only to fall for him again. His mother, MIA, harbors a painful secret- the father Jake thought was dead is alive. To protect Jake from the pain of knowing what his father, BO, had become after a horrible accident, Mia thought it best if Jake believed BO was dead. Jake eventually has a -random- encounter with BO on the street in a Nashville suburb that sets off a chain of events to bring Bo back into his life and hopefully reconciliation to the family.

A grieving young woman must overcome her personal demons as she is stalked by a tall, eerie entity.

After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.