During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.
A Broadway producer discovers new talent in a small Georgia town and brings them to New York for his new show.
A New york producer sends a spy to a nightclub to report back on the musical acts.
A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."
Two sharpie promoters (Don Barry and Frank Jenks) put on a show they believe is so bad it will not play more than one day and they therefore will not have to pay the long list of investors,i.e, suckers and buyers. But one of the investors dies intestate and his interests pass to the state. The governor's secretary (Lynne Roberts) engages new talent (the Four Step Brothers, Guadalajara Trio, St. Clair & Vilvoa, Dolores and Don Graham, et al) and a new orchestra (Jan Savitt), in order to make the show successful and a profitable investment for the state. Barry (in another of the vast majority of his films in which he was not billed as Don "Red" Barry), who has fallen in love with the first-billed Roberts, reforms and buys up the surplus stock.
On an ocean liner, a nightclub singer tries to help a fellow American romance an English heiress who is being forced to return home to marry a man she doesn't love. The American must avoid his boss who is traveling on the same vessel and disguises himself as a gangster traveling with a minister who is, in fact, a disguised gangster on the lam.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
While touring a museum, Rodney Hatch, an unremarkable barber, places an engagement ring intended for his girlfriend on the hand of a statue of Venus, the goddess of love and beauty. From Mount Olympus, Venus witnesses the event and decides to visit Rodney on Earth by magically inhabiting the statue. Hilarity ensues when she starts to fall in love with Rodney and competes with his girlfriend for his attentions. This television version of Kurt Weill's successful Broadway musical is much more faithful to the stage version than the 1948 Ava Gardner film, which changed the story considerably and cut most of the songs.
Ruth Sherwood and her sister, Eileen, have moved to 1935 Greenwich Village. They're surrounded by colorful Village characters (including an out-of-work football player known as the Wreck, and Mr. Appopolous, a modern painter and their landlord) and embark on various New York adventures. Ruth, who's trying to make it as a writer, meets up with a sleazy newspaper writer named Chick and a kindly editor named Bob, both of whom take an interest in both her career and her.
Joe Boyd, an aging Washington Senators fan, would sell his soul for the Senators to beat the New York Yankees and win the pennant. Enter Mr. Applegate, who offers to turn Boyd into Joe Hardy, a powerful young baseball player, in exchange for his soul. When Boyd agrees, he becomes Hardy and leads the Senators on a winning streak. When he starts to miss his wife, though, and questions the deal, Applegate sends temptress Lola into the mix.
The story follows one fateful day as a beggar-poet and his daughter cross paths with a wicked wazir, a wily temptress, a handsome prince, a magical curse, opulent sets and exotic adventure. Adapted from the Broadway musical.
As an African American family and friends gather in an apartment for a house party, two mischief-making devil-bats take human form in order to break up the party.
An aspiring actress, whose sugar-coated appearance belies her ruthless drive, worms herself into the life of an aging star and schemes to replace her on the stage as the star of a new play.
TV adaptation of the campy 1960s Broadway musical about the Man of Steel, his friends, his enemies, and his self-image problems.
In this musical, four young hopefuls from different parts of the country head to New York for a shot at Broadway stardom.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
A backstage documentary film including footage from the legendary 1985 concert performance of Stephen Sondheim's classic musical at Lincoln Center's Avery Fisher Hall. The plot of the musical centers around a reunion of showgirls who appeared in an annual Follies extravaganza when it was staged between the wars.