Ignaz Wuzel and Gerhard Jeschko are regulars at the espresso in the Südtiroler Platz underground station. Warden Leopold Prinz knows the problems of the children from Karlsplatz. In 1993, Elizabeth T. Spira filmed people on the Vienna subway network. Above all, it is the desperate, the lost and the forgotten who find refuge and a home in and around the subway.
A journey through Viennese cinemas, from the first showings by the brothers Lumière to modern megaplexes.
This Traveltalk short takes us to Vienna, the largest city in Austria. We visit the Schönbrunn Palace, the Charles Church, and the historic Opera House.
The Austrian Kreisky government enforced a policy of full employment, it was not allowed to set foot on the lawn in Vienna's Burggarten, the city and the minds of the people are grey. In a nutshell: es is zum Scheissn!
The Kronen Zeitung speaks the mind of the philistine bourgeoisie and tells about "drug abuse, duck murders and sex orgies", the city government reluctantly provides a youth center only to evict it subsequently, a former Nazi becomes president and Vienna is burning because of the Opera Ball demonstrations.
Punk in Vienna was not different than punk anywhere else. And yet, it was. "Scheiss Kieberei" instead of ACAB, Dead Nittels instead of California über alles, "Nazis raus" by Extrem on the same compilation as "We're gonna fight" by 7 Seconds. And anyway, the band names: Chuzpe, Schund, Pöbel. The outcast kids of Helmut Qualtinger tell their own story.
A film about news, life and death.
Before the media became so prevalent, we were concerned about our immediate neighborhood. At the end of the day, news was the subject of our conversations, but now it's possible to converse with someone at the other end of the globe. We do it all the time. It's simple. The world has become one big neighborhood. Now Headline News has replaced the back fence. That's the news service of the eigthies. It's a new idea and a new approach.
Facebook is for “old people” and baggy pants are almost vintage. We are the generation that now has to learn to fit in the shoes of grown-ups. We are the generation "not-as-young-as-we-thought-we-were" - Y. This documentary tells our journey through the different generations and which milestones our lives hold from the viewpoint of a modern "social and connected" society. We met people of the generations before and after us, to find out what matters to them, what unites them and also divides them. We talked about communication, family, work and aging. We learned about ways of life, dreams and goals. This isn’t just a movie about generations. This is a movie about finding one’s place. This is a movie about growing up, growing old and everything in between. This is a movie about life.
Silent amateur movie based on the grotesque by Arthur Schnitzler.
A series of hand-drawn short animations are photographed in the hand of the artist as she travels to various locations in Vienna.
Vladimir Horowitz's piano recital in 1987 at the Musikvereinssaal in Vienna.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
In an observation over four seasons THE STANDSTILL shows Vienna and its surroundings along with encounters with people during and after the Corona crisis. The film tells of the immediate and also the long-term effects, which can only be evaluated and classified in the future.
Facing the loss of her youthfulness, Matilda finds herself at a turning point in her life. Refreshing encounters and unexpected longings force her to face rigid self-understandings with new openness. A surprising and empathetic look at the lives of young adults.
Vienna in the late 90s. VHS footage reveals the video-diary of Markus and Ana, a young unemployed couple. Boredom and the need for an adrenaline fix pushes them into a spiral of theft, alcohol and drugs.
Two school friends who have drifted apart over the course of adulthood spontaneously arrange to have dinner together. What starts off as an innocent attempt to get back in touch develops into a renegotiation of their shared past, estranged relationship and lost future.
