84 movies

June 13, 1951

A mysterious American gets mixed up with gunrunners in Syria.

October 1, 1971

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.

January 2, 1972

Based on a novel by renowned Syrian author Haidar Haidar, Nabil Maleh's first full-length feature is set in Syria in the early 1900s. it is the suspense-filled story of Al Fahd (Adib Qaddoura), an ordinary peasant who becomes a lone rebel, fighting bravely against the colonial government that has usurped his land and subjects him to imprisonment, torture and insult at the hands of the gendarmes. But he declines the help that might have enabled him to overthrow the oppressors for good. The Leopard won first prize at the Locarno Film Festival in 1972 and in 2005 was selected by the Pusan International Film Festival as one of the greatest masterpieces in Asian cinema history.

The first documentary to present an unabashed critique of the impact of the Syrian government’s agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state’s conceit of redressing social and economic inequities.

January 1, 1975

Due to the great success of the original TV series from 1972, this movie was created with almost identical actors and a slightly different plot.

Two friends find themselves in an unexpected conflict when one of them, an employee working in a small hotel, falls for the hotel owner, but she is in love with his friend, a painter who has been staying in the same hotel for a long time, which creates jealousy and conflict between the two friends.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..

Syria, 1967, rumors of war. Abu Kamel, a peasant who farms tomatoes near Latakia, bullies his family. One by one, each rebels against him or finds a route to break away.

Director Junge was commissioned by the GDR in the country for the first time in the summer of 1970; his film In Syria auf Montage accompanies German engineers who train workers in the Homs textile factory. Shortly after filming ended, Hafez al-Assad put himself under the dictator. Twenty years later emerged ... the father stayed in the war over a youth club with Syrian orphans in Bad Saarow, whose fathers had died in the Lebanon war and accompanied them to Syria, where they were housed in separate, elite "schools of martyr children". Multi-faceted documents that oscillate between peaceful and tense, hopeful and unsettled.

January 2, 1992

A young man aspires to follow in his father's footsteps and live up to his legacy of resisting the Zionist occupation. He reflects on his father's journey from his arrival in Quneitra in 1936 to his death after the Zionist army captured the city.

In this documentary film, Malas explores the life and music of the classical Aleppan singer and composer Sabri Moudallal (1918-2006). "Maqam" is the melodic system of traditional Arabic music.

October 6, 1998

A mysterious black marble tablet is found in Syrian desert by an Arab terrorist after an attack on a UN scientific expedition.

Three boys grow up in war torn Syria.

In this beginner-level doumbek course, Amir Naoum teaches Southwest Asian drum rhythms and doumbek techniques to drummers and dancers.

January 1, 2007

Osama said, "I often took walks with Luna. We roamed around Damascus, where nothing could compare to the smell of bread and jasmine in the morning. Sometimes, Luna would tell me stories about wonderful cities."

A documentary film about Syria with its diverse civilizations and history. Where the hero of the film gets lost between his questions about history, culture, and identity, and his attempts to see the story of Syrian history. In the film, the narrator takes us on a journey through Syrian history that diversifies into five basic civilizational shifts, from the agricultural revolution to writing and the emergence of cities to trade until the advent of Christianity and up to the cultural achievement of Islamic civilization.

The documentary The Silent Revolution explains the revolution involving nearly 3 million kurds living in Syria. With the outbreak of the civil war —in the frame of the called ‘Arab Spring'— the Kurds of Syria have taken advantage of the context to fight for their political and cultural recognition and thus end the repression that started more than 50 years ago.

August 14, 2014

After he completed his mandatory military service, the filmmaker was held in retention as the revolution unfurled in his country. His military rank was that of a sergeant. During these times, he would go back to his home, located in the middle of Damascus city, take off his military uniform and return to his normal life, working as an assistant director with his friend, the filmmaker Mohammed Malas. To make sense of this schizophrenic situation, he decides to take his camera and start shooting a ‘making-of’ that will eventually go beyond Malas’s film.

The Islamic State, a hardline Sunni jihadist group that formerly had ties to al Qaeda, has conquered large swathes of Iraq and Syria. Previously known as the Islamic State of Iraq and Syria (ISIS), the group has announced its intention to reestablish the caliphate and has declared its leader, the shadowy Abu Bakr al-Baghdadi, as the caliph. The lightning advances the Islamic State made across Syria and Iraq in June shocked the world. But it's not just the group's military victories that have garnered attention - it's also the pace with which its members have begun to carve out a viable state. Flush with cash and US weapons seized during its advances in Iraq, the Islamic State's expansion shows no sign of slowing down. In the first week of August alone, Islamic State fighters have taken over new areas in northern Iraq, encroaching on Kurdish territory and sending Christians and other minorities fleeing as reports of massacres emerged. —VICE News

December 5, 2014

An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.

December 17, 2014

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

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