The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.

In a traditional tribal society in the South Pacific, a young girl, Wawa, falls in love with her chief’s grandson, Dain. When an inter-tribal war escalates, Wawa is unknowingly betrothed as part of a peace deal. The young lovers run away, refusing her arranged fate. They must choose between their hearts and the future of the tribe, while the villagers must wrestle with preserving their traditional culture and adapting it to the increasing outside demands for individual freedom.

A feature documentary about opera singer Tiriki Onus who finds a 70-year-old silent film believed to be made by his grandfather, Aboriginal leader and filmmaker Bill Onus. As Tiriki travels across the continent and pieces together clues to the film’s origins, he discovers more about Bill, his fight for Aboriginal rights and the price he paid for speaking out.

Cuando Jarah pierde a su esposo, su hijo, su tierra y su inocencia, se embarca en un viaje brutal de retribución y venganza que se transforma en redención y reconciliación.

The true story of a part Aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.

A second generation cameraman in Australia finds evidence that his father had filmed a nuclear test that allowed aboriginies to be exposed to and killed by radiation. He begins a search for a secret that if true, his government has already killed people to keep quiet.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

A portrait of an albino Aboriginal teenager, her feelings of alienation while at a convent boarding school, and her dreams of escape.

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

Moogai is Bundjalung for ‘ghost’, and it is precisely a moogai that intrudes on the quiet home life of Sarah, Fergus and their newborn baby.

Loosely based on the filmmaker's personal experience, "Terra Nullius" is an impressionistic account of an eight year old Koori girl, Alice, growing up in a white adoptive family which denies her Aboriginality. The film examines how unacknowledged shame and fear passes from one generation to the next, from one culture to another. The last scene depicts a silent meeting between the young Alice and the adult Alice. In order to reclaim her life, Alice decides she must confront the pain and confusion of her childhood.

The remarkable life story of Eddie 'Koiki' Mabo; a Torres Strait Islander who left school at the age of 15, yet spearheaded the High Court challenge that overthrew the fiction of terra nullius.

This film takes us on an emotional journey from sacred ground above Byron Bay to Antarctica, Indonesia to Pakistan, and is sure to light a fire under the strongest climate change denier. THE POWER OF ACTIVISM focuses on six highly spirited female activists as they are put under the microscope to ascertain the financial impact of their environmental solutions… and the results are astonishing. From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of "climate change", but they should also fall under the umbrella of "saving tax payers hundreds of millions of dollars!”

A white collector of Aboriginal art gets a shock when the Mimi sculpture she purchased comes to life.

Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.

An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.