Nel tentativo di recuperare la loro relazione, una coppia prenota una vacanza in campagna per sé e per la figlia. Quello che inizia come un ritiro perfetto inizia a sgretolarsi quando la realtà sfugge di mano e una forza sinistra cerca di farli a pezzi.

Hector si è appena trasferito con sua moglie in una villa in campagna. Mentre la donna si reca in città a fare la spesa, l’uomo scorge col suo binocolo una ragazza nuda nel bosco. Curioso si inoltra alla ricerca della ragazza, imbattendosi in un uomo sinistramente coperto in volto da un bendaggio rosa. Durante la fuga fa la conoscenza di un ragazzo che lo fa andare in un macchinario per nascondersi. Una volta entrato, però, si ritroverà a viaggiare nel tempo in un continuo loop che lo porterà a compiere azioni sempre più assurde.

Amy begins her first night shift in a hotel with a murderous past. Witnessing terrifying events and trapped within a loop, Amy must find a way to escape the flesh obsessed murderer and save residents of the hotel.

Un uomo si sveglia in un ospedale senza ricordare niente degli ultimi due anni. Metterà assieme i pezzi del puzzle una volta scoperto di essere in grado di viaggiare nel tempo.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

1 of 10 people suffer various types of brain disorders, this is the mind of 1 out of another 100 individuals who suffer the same disorder.

After years of playing second fiddle to a rival performer, a woman confronts her rival. Hoping to reason with her enemy, things grow heated and someone commits an act that may cost them their future. That is until there is a knock at the front door.

A boy tries to understand why he keeps dreaming about the girl dying, only to understand her death is inevitable

A papercut stopmotion animation in which human Travelers from 2053 travel 30 years into the past to warn "foundlings" of the future that awaits them. The story follows Jonah and his Traveler, learning about the possible chaotic future that could happen if such measures are not applied.

After mysteriously awakening in a barren alien landscape, a self-serving prisoner must conquer a series of grueling trials in order to reunite with his lost love.

Tonight, Paul pops the question to Amanda. Everything is perfect; then suddenly - chaos. Now the couple find themselves stuck between two worlds.

Davi relives his most traumatic memory: his 9th birthday.

A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.

Human minds are corrupted by the thought that they are the superior one. The reality is often contradictory.

Young ambitious man gets trapped in loop of his own greed

Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.

Trapped in an endless time loop, a woman relives the same day over and over again, with a mysterious corpse appearing and disappearing in her apartment.

"Dancing is sculpting in time." Diotima captures the fluid grace of two people sculpting time through dance, in a continuous one-take shot around Indy Simin's "Echt in Vorm." Their movements inside, around, and upon the sculpture reveal a simple unity, where shapes, dancers, and their environment are perpetually in motion, blending into an inseparable, seamless harmony of a never-ending dance.

A naked, blood-soaked man throws a corpse into a dimly lit basement. The cadaver lands against another body.

He really likes Poughkeepsie Crispies. Maybe too much. A darkly funny, minimalist loop of repetition, ritual, and barely-hinged performance.