A remake of the 1971 film, a romantic drama that explored themes of intersexuality, and one of very few to tackle sexual orientation in General Franco’s ultra-conservative Spain.
Poet, rapper, playwright and recording artist Kae Tempest is one of the most viscerally exciting artists working in Britain today. They are the youngest ever recipient of the prestigious Ted Hughes prize and have been nominated for both the Brit and Mercury music awards. Tempest has always found support and respect within the queer art scenes, a place close to their heart. In July 2020, they came out as non-binary, announcing that they would publish and perform under the name Kae. This film delves deep into their creative process and gains rare, intimate insights into Kae’s life throughout a period of profound personal and artistic change.
A young transgender woman takes a hike through the English countryside in an attempt to resolve her spiritual crisis - but an ancient evil strives to ensure that she never completes her journey.
At the age of 15, can you know if you ever want to conceive or give birth to a child? The team coordinator at the gender clinic in the Dutch city of Zaandam is doubtful. And yet this is one of the questions he asks the young people who register for psychological guidance. A fellow psychologist trusts that young people know what is good for them. He is a trans man and one of the experts by experience who work at the clinic. The use of language, already such a sensitive instrument, proves to be more complex than some expect. There are those who see it as unnecessary to mention your pronouns when you introduce yourself, but the majority are in favor. Director Ingrid Kamerling switches smoothly between observation and interviews. Above all, there is a sense of the need to equip young people and their parents as well as possible for the emotional journey of drastic change that lies ahead of them.
An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.
Maria, an emotionally-stunted transgender punk on an aimless road trip across the country has a chance encounter with James H., a repressed minimum-wage worker trapped in the purgatory that is rural Nevada. Over the next 24 hours, the two form an unlikely bond as Maria helps James unpack a question he’s been frightened to ask himself his entire life: is he trans?
Unfolding over the course of Valentine’s Day in New Jersey, a young intersex sex worker must run from the mob after a drug deal goes sideways, forcing him to confront his past.
Through a collection of video diary entries spanning more than a year, Pronouns in Bio delivers an offbeat and charming reflection on transness and identity. Part documentary, part video essay and part musical, the film follows director and star Lucy Rose Shaftain-Fenner, a recently out transgender, autistic woman, as she navigates the first year of her transition. Note: Lucy uses the name Frankie during the film but has since started using the name Lucy.
News reporter Jonathan Pie has been CANCELLED for an off-colour, on-air remark. Filmed in September 2021, Jonathan Pie returns to the stage to tell us what happened and how 2 years of lockdown, his estranged son, Boris Johnson and liberal snowflakes all helped stop his promising career in journalism in its tracks.
Aki is an adolescent who is still unsure of their identity. When Aki moves to a new school, they meet and begin to spend time with Kiita. As the two spend time together, Aki eventually comes to terms with the feelings that have been building up in their mind like stagnation.
A bitter film director is forced to explain why her latest film, 'She's So Cold', reflects worrying ideas about relationships and men. Reluctant to cooperate, she hijacks the interview and propagates her own twisted perspective on life.
A gorgeous woman allegedly ruins a neurotic man's youth, leading him to reminisce about his life of chaos and desolation.
The fourth generation in his family to be born intersex, Jewish Rabbi Levi was assigned the female gender at birth and grew up thinking he was sick and defective. "In the Image of God" tells the story of his struggles and transitions, culminating today in a life as a religious leader and an LGBTQI+ activist living happily in Los Angeles with his wife.
A conversation between a pisces and a capricorn about stifling isolation and nurturing solitude. Nicky Chue is a queer BPOC filmmaker from Berlin who spends a lot of their time sitting in nature and identifying bees. Florence Low is a queer British Armenian artist, graphic designer, photographer, drag king and dreamy Pisces. They are currently obsessed with Kate Bush, cats, queer space in London, astrology and attachment styles.
Award-winning filmmaker Byron Hurt explores what it means to be a Black man in America. Traveling to more than fifteen cities and towns across the country, Hurt gathers reflections on Black masculinity from men and women of a variety of socioeconomic backgrounds and a host of leading scholars and cultural critics. What results is an engaging and honest dialogue about race, gender, and identity in America. Features bell hooks, Michael Eric Dyson, John Henrick Clarke, Kevin Powell, Andrew Young, Dr. Alvin Poussaint, MC Hammer, Jackson Katz, and many others.
Can we reinvent our lost queer histories? #Familiar #Touch #Lost #Figures is about queer ancestry and diaspora, a hybrid of cultural traditions and contemporary queer identity. It explores feelings of guilt and joy, and intimacy between femmes of colour.
Ash Nielsen is a teenager who is struggling to come to terms with being nonbinary, as well as having to navigate bullying at school.
In the early eighties, the tough trucker Harm married the shy, country girl Siepie. Thirty years later Harm tells her that he wants to become a woman. That is difficult to hear for Siepie. Not only because she will lose her husband, but also because she is afraid of gossip in their small, Frisian village. Yet she gives Harm the space to openly live as Harriette.
What if the world told you that you do not exist? This is the reality for Lauren: a person in their mid-twenties who identifies as gender neutral. Lauren's story chronicles their entire life—from early childhood, to a near death experience, to living in the depths of the rain forest—capturing the physical, emotional, and mental obstacles Lauren must face just to get to say, "I exist."