In Southern Bahia, seven indigenous women invite to reflection, sharing their mythology, ancestry and paths to living well.
Set in 1850s Naples, Italy, two sisters are getting ready for a wedding, but neither of them wants to acknowledge their inevitable parting of ways.
On a road trip with her younger sister, Charlie struggles to hide a secret addiction.
When their father's health worsens, three estranged sisters come together to try to plan for the inevitable.
Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.
The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.
Two sisters seek a stolen treasure in exchange for an antidote after one is poisoned by their own father.
In 10th century Norway, a young shaman is forced to hunt down her outlaw sister.
After years living in the capital, Ariel returns to her hometown on the coast with a new identity, having to deal with all the feelings that have been internalized during her absence, while at the same time meeting up again with her younger sister, Ana.
Living in a trailer by the ocean, Carmen does everything to give her half-sister May a better childhood than the one she had.
A dinner goes horribly wrong.
Filmmaker Sophie Dros enters into a dialogue with strong women in a powerfull document about being a woman in the Netherlands today. Inspired by Simone de Beauvoir's essay The second sex, filmmaker Sophie Dros (winner of the NFF Debut Competition 2017) talks to four women and a group of young girls. Together they go in search of universal stories; about dealing with expectations, empathy and connection, desires, fear, need for confirmation and losing control.
Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.
In 1910, a young laundress leaves her rural home, fleeing from her father's violence. With her, her two sisters and their baby brother. Along the way they try to break free from the past and rediscover a future.
«this short film visits memories of the past, truths of the present + hopes for the future. healing for sisters who are in process, in ritual.» (Rikkí Wright)
Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.
A trio of young women help each other come to terms with death, loss and love during a séance on the roof of their apartment building.
Shivan (Suresh Gopi) arrives in a remote village as an agricultural officer. Pappachi (Jagathy) arranges the upstairs of a house for him to stay in. A family of three girls (Khusboo, Vani Viswanath, Kaveri) lives downstairs along with their father (M.R. Gopakumar). The three of them develop romantic feelings towards Shivan.