"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
Many have heard of Fela Anikulapo-Kuti, the legendary artist from the 70s and 80s. But some may not know that his mother Funmilayo Ransome-Kuti was also a legend in her own right, as a women's rights activist unabashedly pushing for equality in Nigeria at a time when people weren't having those conversations. "Funmilayo Ransome-Kuti" the film emerges as a new vivid exploration of Ransome-Kuti's journey. From growing up and learning about the importance of education, to her groundbreaking step in becoming the first girl to attend Abeokuta Grammar School at just 13, going to London and then becoming emboldened to return to Nigeria to step into her role as an educator and organizer.
The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.
An exploration of the early public debate surrounding birth control, the media's involvement, and the unstoppable Margaret Sanger, in a style mimicking the films of the period.
In an alternate timeline where women are educated and obligated to bear children, one student struggles to change her fate.
Sebari Milach is an awareness film aimed at showing the dark ritualistic practices of female circumcision illegally practiced in Africa. This film touches on a true story about a young Ethiopian girl who gets tricked by her mother into getting circumcised at a ritual purification ceremony shortly after her sister passed away from the same practice.
Four women are on an existential journey in Morocco, connecting with local women from all walks of life bonding in sisterhood, and share their common quest for empowerment.
Panamanian women tell their struggle to overcome inequality and discrimination in the political and public sphere and for the right to universal suffrage which they obtained in 1946.
In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.
SLUGFEST emerges as a playful, engaging martial arts experience that delves into the "inner-feminist struggles" that have characterized recent years and decades. Yet, unlike narratives of division, this film champions the concept of unity, emphasizing the dire need for solidarity and deeper mutual respect within feminist discourse. The film's central motif is a stylized, choreographed sparring training that, while aimed at empowerment and self-discovery, can sometimes escalate beyond control. This metaphorical approach isn't about antagonism but represents the passionate debates that fuel progress and understanding, even when they momentarily seem to get out of hand. "There is no losing in martial arts. Either you win or you learn." - as Karate Kid would say today.
Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.
Documentary film about the controversial movement of women seeking ordination in the Roman Catholic Church. More and more women are answering a spiritual calling to take on the vestments of priesthood and seek equality in the religion they love. These daring women have risked banishment, loss of livelihood, and even excommunication to take part in what the Church calls illicit ordinations. The Vatican has vowed to end this threat to the male hierarchy, even forbidding the mere discussion of female priests. The papacy has reached a time of crisis and the controversy over women's role, and their place in the Church, must be addressed if the Vatican is to have any relevance in the 21st century.
María and Isabel are two women in their fifties who, like many others, recycle in Quito, where there is no recycling system. María leads a collective fight for basic labor rights; while Isabel transmits her knowledge of environmental care while she raises her daughters.
Diana, Ilana, Rona, Shelly, Rucha and Liat openly speak about their life in prostitution: from the initial lure, through learning the rules, to survival strategies. They present stories of independence, resourcefulness, pain and trauma, expressing an extreme feminine and human experience. Michaela (pseudonym) – a young woman currently engaged in prostitution, sounds off on the struggle to survive, turning her cellphone camera into a weapon. The women challenge what is expected of them – to be ashamed and conceal themselves.
50 years ago, assemblyman George Michaels cast a single vote on New York's abortion bill that changed the course of American history but destroyed his political career in the process.
Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.
There is a world beyond our world where men say NO to Women when it comes to the making decision. Most women suffer extreme inequality, but only few women accept dangers and fights against it.
WOMaN is a visual exploration of the becoming and realizing of what it means to be a woman in this day and age. An experimental film told from the heart of SUBLIMEBBABY and eyes of Angelo Bote — complex, strong, independent, aggressive, soft, vulnerable. We embrace both masculine and feminine aspects following the woman on screen. “To maintain an interest in life, to laugh at the little/big things. To embrace my feminine energy but let my masculine shine in coexistence. These are my promises to my younger self.”
Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.