As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.
New York City cop Phil Donlon leaves the force to join the U.S. Olympic team. When he falls for a Marine colonel's daughter he gets kicked off the team. Joining the Marines to win the Colonel's approval many adventures follow.
The Black Death, a pandemic disease that ravaged in the 1300s, caused a never-before-seen human catastrophe of frightening magnitude. Over the course of three terrible years, more than a third of Europe's population was wiped out.
It began much like the common cold. Yet within a day fever took over black swellings the size of baseballs appeared on the neck and finally a highly contagious bloody cough quickly sealed the victim's fate. During the worst biological disaster in the history of mankind the so-called black death released an indiscriminate fury which shook the very foundations of human order. Religious hysteria began to break out and in desperation frenzied masses scrambled to find a scapegoat. When all was said and done nearly one-third of Europe's population had been completely wiped out and devastated survivors were left to contend with a world forever changed both socially and economically. In this feature-length special THE HISTORY CHANNEL-® investigates the origins of this devastating moment in human history and explores the many questions surrounding the terrifying possibility of a modern-day biological threat.
In the midst of a plague, a lonely priest must confront his fears when faced with an ominous knock at the door of his abandoned church.
With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.