In 1975, the long slog of civil war has recently begun in Beirut. A high school student named Tarek is thrilled by all the chaos and upheaval because he no longer needs to go to school. Plus, he finds negotiations between West and East Beirut interesting. Tarek is accompanied by his buddy Omar as the two shoot Super 8 films of the tumult around them. The jovial mood takes a tragic turn when Tarek's parents start fighting over whether or not to flee Beirut.

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

At the climax of the Lebanese Civil War, two snipers entrusted to guard a stronghold overlooking the Green Line build a relationship as everything around them falls apart.

“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.

"When this last war broke out, I was faraway in Paris. I had but one idea: to return to Beirut as quickly as possible and to begin shooting a film, for historical moments were taking place. This film became indispensible: to film so that history would cease repeating itself and to build up a picture library for future generations. I never understood why so few films were made during the Lebanese Civil War. Apart from the odd film, nothing remains from that time. The war surely merited more attention." (Waël Noureddine)

Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.