The village still holds many mysteries. Piece by piece of mystery is revealed, including the terror of the most feared entity, namely, Badarawuhi.
Sarinten was expelled from Banyuwangi and settled in Watu Kandang, Trenggalek. Sarinten merged with Ayu, and to this day resides in her body.
Within the depths of an enigmatic origin, a being flourishes, cocconed in a cocoon akin to that of a caterpillar. This creature, an apparent hybrid, shatters its confinements breaking free and rises in a peculiar, but captivating manner.
Six students were terrorized by a mysterious dancer while running a community service program in a remote village. Apparently, one of them violates the most fatal rule in the village.
Young ant is coming back home after a hard-working day and performing his evening routine rituals. Suddenly, someone wants to disturb him.
小説家を目指しながら、バイトで生計を立てるジョンス（ユ・アイン）は、偶然幼馴染のヘミ（チョン・ジョンソ）と出会う。ヘミからアフリカ旅行へ行く間、飼っている猫の世話を頼まれるジョンス。旅行から戻ったヘミはアフリカで出会ったという謎の男ベン（スティーブン・ユァン）を紹介する。ある日、ベンはヘミと共にジョンスの家を訪れ、自分の秘密を打ち明ける。“僕は時々ビニールハウスを燃やしています”―。そこから、ジョンスは恐ろしい予感を感じずにはいられなくなるのだった・・・。
Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.
A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.
Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won't hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.
Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."