Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.
Heroin anti-drug educational film
Presented by Voices in Society and Travelers Insurance Indemnity, this untitled PSA-style film from the 1970s is a compilation of various anti-drug use PSAs from National Clearinghouse for Alcohol and Drug Abuse Information (NCADI). The films were assembled by a film collector who did public screenings of cult films; he often showed this compilation under the moniker “Stoner’s Night Out”. NCADI is the information service for the Center for Substance Abuse Prevention of the U.S. Department of Health & Human Services. The PSAs that comprise this film combine footage of drug use as well as interviews. Overall, this film warns of the short-term and long-term effects of drug use with the later segments of the film focusing on marijuana use specifically.
This color educational movie “Narcosis” is a “scare film” about the realities of heroin and drug addiction The title narcosis refers to a state of stupor, drowsiness, or unconsciousness produced by drugs. According to a card at 1:50, actual addicts appear in the film.
In order to retrieve his share from a diamond heist, a guilt driven Mumbai cop finds and confronts his drug addict partner who's hiding in a shady neighborhood. Apparently their third partner, a smuggler who has the diamonds is missing. Will they be able to find him?
The worlds of a young cop with a checkered past, an ex-con turned devout Muslim, and a junkie with affluent roots collide in a plot to justify New York City's counter-terrorism campaign against homegrown extremists.
Cal Thacker, a would-be artist, shares his slum living quarters with Mike Rubel, a pusher who exists in a private drug-centered world, and Richard Stoney Morgan, an embittered drifter who sponges from the other two. Cal's girl friend, Carrie, who has provided his only meaningful human contact, finds him in bed with another girl and breaks up with him. In despair, Cal tries unsuccessfully to obtain funds by selling his paintings. His motorcycle is wrecked in a crash, though Cal miraculously escapes injury. Later in the day, the three roommates meet at the apartment and attempt to obliterate their problems with cheap whiskey. The liquor only creates new problems, however; Mike and Cal become involved in a violent argument with Stoney, who eventually leaves. Seeking revenge, Stoney reports Mike to the police as a marijuana pusher and then returns to the apartment with a knife. In the fight that ensues, Cal kills Stoney; but Cal is then gunned down by police.
Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.
Small fragments from the life of a woman tortured to death by a drug addict and a cannibalistic Satanist. The thick blood splatters against director Baiestorf's dirty lenses, which shows in a surreal way the most realistic scene of heroin use ever filmed in the history of Brazilian cinema.
The short was created from scenes filmed for the feature "Stay Sick!" which Baiestorf was unable to finish.
Follows 6 people low life junkies & strippers as they battle for survival in the midst of a zombie outbreak in a run town on the outskirts of a city.
Hanna is a girl completely abandoned to herself, is not at all inhibited sexually, and is attracted to the attention of unscrupulous people like Miguel, who takes advantage of Hanna, turning her to prostitution to obtain her drug fix. Until she meets Alex, a young man with a sincere affection for Hanna.
Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.
When a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float
A rookie cop on the undercover narcotic squad falls for the junkie who can help him nab a ruthless pusher/killer.
He lived the junkie's life as a heroin addict. Triathlon transformed him. Biopic of the record breaking Ironman Andreas Niedrig.
After finally breaking up with his drug-addicted lover, Trevor begins a new romance that unexpectedly complicates his other relationships.
A struggling waitress, straddling the edge of drug addiction, gets a reality call when the daughter that she gave up at birth reappears.
After graduation, a young woman gets his first job in the women's prison in the province. The story follows her struggle to survive in a small town with her small child, alcohol addiction, and the battle with the prisoners and prison brutality and other schemers who wanted to remove her from working spot.