A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
George Taylor returns from WWII with amnesia. Back home in Los Angeles, he tries to track down his old identity, stumbling into a 3-year old murder case and a hunt for a missing $2 million.
A family man becomes innocently involved in an embezzlement.
After a jeweler hires a private detective to help him find $50,000 missing from his company, he is murdered while attending a society party; and the private eye, aided by his comely secretary, vies with a bumbling police detective to find the murderer among several suspects, including the dead man's daughter, her current husband, her former husband, and an ex-convict.
A nameless, pill-popping drifter girl steps off a bus and into a New Jersey neighborhood bar owned by two middle-age brothers, Jimmy & Victor. She quickly befriends older brother, Victor––a good-natured lummox whose mind was affected by a childhood accident. The mysterious "Girl" soon upsets the delicate balance of the brothers' lives while bringing both trouble and new life into their resigned world and town.