After watching a film, Jane, a young woman, finds herself trapped within the theater, under the haunting gaze of the man who resides there. During her time at the cinema, she discovers the truth of reality - that women face a predatory gaze throughout the course of their lives, and The Gaze captures Jane's journey trying to escape that harsh reality.
Tras un acontecimiento que le marca la vida para siempre, Rodolfo, el chófer de una familia de clase alta, empieza a escabullirse con el coche para ofrecer sus servicios como conductor particular. Este trabajo esconde un peculiar objetivo: vengarse.
A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.
Lacho Cuevas es el antiguo ladrón del pueblo, exiliado años atrás por culpa de sus crímenes. Sin embargo, debido a una serie de robos a los comerciantes del pueblo, Cuevas es contratado por el Sheriff para ayudar a atrapar al misterioso ladrón "Jinete Negro".
Mesa Posta is a film that lives off the violence of a life, which is shown in the simplicity of the gestures of the person who plays it. The habits, beliefs and moments of this story are told in the act of setting the table, then the brutality of life is confronted by the beauty and the grace of the objects that make it: the table is set as life is told.
"Las que faltaban". Documental grabado de forma amateur durante la gira de Mafalda "La última vez que te escucho" por las integrantes de Mafalda. ¿Alguna vez os habéis preguntado por qué no hay mujeres en los escenarios? ¿Por qué sus espacios suelen estar relegados a ciertos roles? Nos lanzamos a la carretera para averiguar qué opinaban sobre esto las mujeres de nuestro panorama musical. "Las que faltaban" es una mirada desde dentro del panorama sobre las vivencias y experiencias de las mujeres que lo habitan. Un relato colectivo de lo que es ser mujer en el ámbito musical. Roles, discriminaciones, referentes, sororidad, feminismo, lucha... de esto y más nos hablan las entrevistadas. Hemos trabajado en esto durante más de 9 meses y este es el resultado. Esperamos que si lo disfrutáis, lo difundáis y le llegue a muchísima gente. GRACIAS! Juntas somos más fuertes.
This is What a Feminist Sounds Like is the story of 80 year old social activist Pat Noonan and it is a guided tour of the burgeoning of woman's rights and gender equality in North America during the twentieth century, set in the small automotive town of Windsor, Ontario.
Es un documental DIY feminista que pretende mirar desde esta perspectiva la escena punk y hardcore del estado español. A lo largo del documental se recopilan las voces y testimonios de mujeres y otras identidades de género no hegemónicas que, a través de sus vivencias visibilizan empoderamientos y subversiones, pero también violencias y discriminaciones, a la par que conectan estos estilos musicales y prácticas contraculturales con los feminismos.
Exploring the concept of the Ecology of Emotions, this musical film portrays an inner journey through the secret garden of creativity put into frame by the nature of Iceland. Hidden Eden is a metaphor for our inner secret garden of creativity. This project bloomed during an art residency in Iceland, sparked by conversations around our shared philosophies on voice and emotional connection. The nature of Iceland inspired us to make the connection on how the landscape reflects the emotional states of creativity and how it helps manage the homeostasis of our inner emotional landscapes. This exchange between emotion and the landscape opens a space for healing. Creativity provides us with the tools to access a garden of our authentic being, nourishing and balancing us. Allowing ourselves to explore the spectrum of our emotions through the lens of our relationship with the Earth invites others to do the same. The creative process can affect our well being and is a key to human evolution.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
How to ride a mechanical bull and not care that everyone is picturing you naked.
BERTHA LUTZ: WOMEN AND THE U.N. CHARTER reveals the important and unknown role of a Brazilian biologist and feminist in ensuring that gender issues were addressed at the basis of the United Nations.
Jones' inner demons threaten to take over her life unless she outruns the voices in her head and the ticking of time.
Radical feminist Andrea Dworkin's expose on the pornography industry.
In a dressing-room are five girls, all taking part in the music video for the track Hot Chicks. It is a fun, playful video where the girls have to shake their backsides and strut their stuff to the male artist. A studio manager tells them what is on the agenda, and using a stylist they get ready before starting rehearsals in the studio. Staring Jenny Hutton, Hedda Stiernstedt, Nanna Blondell. Director Ninja Thyberg.
Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.
In a dystopian city, where women are merely the possession of men, the 17-year-old Valentina escapes from Zéro’s grasp. Vulnerable and alone, she gets rescued by Alex, the leader of a group of young, strong women who fight together against the injustice in the world.